肖斯塔科维奇的帕萨卡里亚研究

发布时间：2018-04-02 07:10

本文选题：肖斯塔科维奇　切入点：帕萨卡里亚　出处：《湖南师范大学》2011年硕士论文

【摘要】：20世纪举世瞩目的前苏联作曲家——肖斯塔科维奇,是一位具有创新精神的作曲家。其一生创作了大量优秀的作品,为人类的音乐文化宝库增添了宝贵的财富。肖斯塔科维奇在创作中努力将俄罗斯民族音乐的优良传统、现实主义的内容以及现代音乐作曲技法相融合,在他很多作品中得以体现。值得关注和深思的是肖斯塔科维奇在其漫长的各个创作时期中,以持续不衰的热情整体或局部地运用帕萨卡里亚到歌剧、室内乐、交响乐等音乐体裁的创作中,创作出了多部优秀作品,被誉为20世纪帕萨卡里亚大师。本文分为绪论、本论的三章以及结语,在绪论部分中简述了肖斯塔科维奇的生平；概述帕萨卡里亚的形成与发展；介绍肖斯塔科维奇所创作的帕萨卡里亚作品；阐述国内外对肖斯塔科维奇作品这一领域的研究状况；提出对肖斯塔科维奇帕萨卡里亚研究的可行性与研究价值。本论部分主要从作曲技法的角度,针对肖斯塔科维奇所创作的帕萨卡里亚作品,从作品的主题形态、复调变奏织体以及曲式结构特点三个方面进行系统、全面的分析与提炼。第一章从帕萨卡里亚的原形主题及其在连续变奏中的发展两个方面入手,对帕萨卡里亚主题形态进行了分析阐述。首先,针对帕萨卡里亚的原形主题,对原形主题的结构、调式调性、性格以及初次陈述的方式进行分析与总结；其次,探讨了主题在连续变奏中的原样反复和变化反复,着重分析和总结主题在连续变奏中的变化反复。第二章以肖斯塔科维奇帕萨卡里亚中的变奏织体为研究对象,从对题的构成、变奏织体形式、调式调性、和声四个方面进行系统的分析。第一,阐述了帕萨卡里亚的固定对题、自由对题、综合对题。第二,系统分析了模仿式、对比式、支声式和主调式音乐织体。第三,分析了帕萨卡里亚变奏织体声部关系中的同一和不同的调性关系。第四,阐述了帕萨卡里亚变奏织体中的和声关系。第三章分析说明了肖斯塔科维奇帕萨卡里亚的曲式结构特点及其在作品中的实际应用。曲式结构独特：呈示、展开、再现的三部性结构特点；在结构上有着奏鸣曲式的因素；在结构方面为以复调音乐写法为主来发展音乐的双主题帕萨卡里亚。在其作品中,肖斯塔科维奇将帕萨卡里亚作为整体中的局部或相对独立的乐章用于各种套曲形式中。通过系统分析肖斯塔科维奇在帕萨卡里亚创作这一领域内独特的作曲技法,从而深刻认识肖斯塔科维奇立足于传统、勇于创新赋予这一古老音乐艺术形式新的生命力,进而体现出具有时代的、民族的、个人的独特风格；理解西方现代音乐在体裁、风格、作曲技法上以新的面貌再现欧洲古老固定低音复调变奏音乐形式这种周期性的运动规律；以及在探讨中国复调音乐创作如何继承和创新传统复调体裁技法方面提供一些有意义的参考。
[Abstract]:Shostakovich, the former Soviet composer who attracted worldwide attention in the 20 th century, is a composer with innovative spirit.His life created a large number of excellent works, for human music and cultural treasure added valuable wealth.Shostakovich made great efforts to combine the fine tradition of Russian folk music, the content of realism and modern music composition techniques in many of his works.What is worth paying attention to and pondering is that Shostakovich, in his long period of creation, has used the whole or part of Pasakaria to create operas, chamber music, symphonies, and other musical genres with constant enthusiasm.Created a number of excellent works, known as the 20 th century master Pasacaria.This paper is divided into three chapters: introduction, three chapters and conclusion. In the introduction part, it briefly describes the life of Shostakovich, the formation and development of Pasakaria, and introduces the works of Pasakaria by Shostakovich.This paper expounds the research situation of Shostakovich's works at home and abroad, and puts forward the feasibility and research value of the research on Shostakovich's Pasakaria.This part mainly from the composition technique angle, aimed at Shostakovich's creation Pasacaria works, from the work theme form, polyphonic variation texture and the music structure characteristic three aspects carries on the system, the comprehensive analysis and the refinement.In the first chapter, the theme of Pasacaria and its development in continuous variation are analyzed and expounded.First of all, according to the original theme of Pasakaria, the structure, tone, character and the way of initial presentation of the original theme are analyzed and summarized; secondly, the original repetition and variation of the theme in the continuous variation are discussed.Emphasis on the analysis and summary of the theme in the continuous variation of the changes repeated.The second chapter takes the variant texture in Shostakovich Pasakaria as the research object, and makes a systematic analysis from four aspects: the composition of the subject, the form of the variation texture, the tonality of the tone, and the harmony.First, it expounds the fixed pair, free pair and synthetic pair of Pasakaria.Secondly, the imitation, contrast, support and main-tone musical texture are analyzed systematically.Thirdly, we analyze the same and different tonality relations in the relationship between the phonetics of Pasacaria variation.Fourthly, the harmony relation in Pasacaria variation fabric is expounded.The third chapter analyzes and explains the structural characteristics of Shostakovich Pasakaria's musical form and its practical application in his works.The structure of the musical form is unique: the features of the three-part structure of presentation, expansion and reproduction; the factor of sonata in the structure; and the double theme of Pasakaria, which mainly develops the music by the polyphonic writing method in the structural aspect.In his work, Shostakovich uses Pasakaria as part of the whole or relatively independent movement for various forms of ensemble.Through the systematic analysis of Shostakovich's unique composition techniques in the field of Pasakaria's creation, he has a profound understanding of Shostakovich based on tradition and has the courage to innovate and endow this ancient musical art form with new vitality.Then it embodies the unique style of the times, the nation and the individual, and understands the periodic movement law of the modern western music in genre, style and composition techniques, which is reproduced in the form of the old European fixed bass polyphonic variation with a new face.It also provides some meaningful references on how to inherit and innovate the traditional polyphonic techniques in Chinese polyphonic music creation.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J614

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