西方音乐美学情感论视域下的李斯特音乐美学思想研究

发布时间：2018-04-02 17:46

本文选题：李斯特　切入点：美学思想　出处：《江西师范大学》2011年硕士论文

【摘要】：对李斯特音乐美学思想的研究是一个比较大的题目,古今中外涉及该研究内容的只有寥寥数人。这不仅是因为李斯特思想的复杂性,还因为音乐美学学科发展的滞后性。本文以前人的研究为基础,以音乐作品分析和史料分析为手段,以西方音乐美学思想发展脉络为依据,着重对李斯特的音乐美学思想做全面立体的阐释。本文力求针对李斯特音乐作品中极度的炫技、浪漫的诗意、宗教式的内省等特点,将其置于浪漫主义艺术思潮的语境中,以欧洲十九世纪社会形态发展为依托,对李斯特的思想进行全面的梳理,得出了其中关于音乐思想的矛盾性、宗教性、革命性和文学性等特质。继而,本文概括出李斯特音乐美学思想核心观念及其美学价值追求,即,“音乐,其思想是灵魂,而技术是骨架”;音乐存在应有“诗歌与宗教之和谐”;音乐其“形式是盛满感情内容的容器”;音乐家“为劳动阶级事业服务”;音乐“揭示”情感。本文又以此为基点,进一步探究李斯特的音乐美学思想对后人,特别是对二十世纪音乐语言、美学理论的创新所产生的巨大影响。
[Abstract]:The research on Liszt's aesthetic thought of music is a big topic.This is due not only to the complexity of Liszt's thought, but also to the lag in the development of the subject of music aesthetics.Based on the previous studies of people, by means of analysis of musical works and historical data, and based on the development of western musical aesthetics, this paper focuses on the comprehensive and stereoscopic interpretation of Liszt's aesthetic thoughts of music.In view of the features of Liszt's musical works, such as extreme dazzling, romantic poetry and religious introspection, this article tries to put it in the context of romantic artistic thought and to rely on the development of social formation in the 19th century in Europe.The author makes a comprehensive analysis of Liszt's thoughts, and concludes the contradictory, religious, revolutionary and literary characteristics of music.Then, this paper generalizes the core idea of Liszt's music aesthetics and its pursuit of aesthetic value, that is, "music, whose thought is the soul, and technology is the skeleton", the existence of music should be "the harmony between poetry and religion".Music "form is the container full of emotion"; musician "serves the cause of working class"; music "reveals" emotion.Based on this, this paper further explores the great influence of Liszt's musical aesthetics on the innovation of music language and aesthetic theory in the 20th century.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J601

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