女中音的声部确定及其声区统一训练
发布时间:2018-04-03 01:40
本文选题:女中音 切入点:声部 出处:《西北师范大学》2004年硕士论文
【摘要】: 女中音作为有着独特个性的声部,她音色醇厚柔美、纯净而富于变化,具有特殊的音质和音色。声部划分地正确与否,直接影响到一位声乐学生的学习甚至其演唱生涯。 从这一现实的角度出发,本文第一部分:女中音的声部确定。从两个方面对女中音的声部确定进行了详细地论述:一、依据歌者的发声状态进行确定。二、通过艺术嗓音医生的检查来帮助确定。 女中音在音色与音域的表现中,很容易形成相互对立的矛盾,比较容易出现顾此失彼的现象——当低音区声音唱得坚实、浑厚、有力时,上高音就会感到困难,甚至唱“破”;而高音区解决好了,,有了松弛漂亮的高音,却又失掉了声音中原有的浑厚音质和深沉、饱满的低音。 本文第二部分:女中音的声区统一训练。从六个方面来解决女中音声部普遍存在的声区不统一问题:(一)至(五)都是从纯技术的角度论述女中音的声区统一训练,但是掌握人声“乐器”的技巧有其特殊性,它既摸不着,又看不见,非常抽象。因此(六)在思想上形成一种完全准确的声音形象概念对女中音解决声区统一问题是极其重要的。
[Abstract]:Soprano, as a voice with unique personality, has mellow and soft tone, pure and rich in variety, with special tone quality and tone color.Whether the division of vocal parts is correct or not has a direct impact on a vocal music student's study and even his singing career.From this point of view, the first part of this paper: the determination of the soprano.This paper discusses the determination of the soprano in detail from two aspects: first, according to the vocal state of the singer.Second, through the art voice doctor's examination to help determine.In the performance of soprano, it is easy to form contradictory contradiction between tone color and phonetic range, and it is easy to ignore one or the other-when the bass voice sings solidly, intensely and forcefully, it will be difficult for the soprano to go up and even sing "broken";The high-pitched area was settled, with a relaxed, beautiful high voice, but lost the sound of the original thick sound and deep, full bass.The second part of this paper: the unified training of soprano.To solve the problem of disunity of vocal area in soprano from six aspects: (1) to (5) is to discuss the unified training of soprano from a purely technical point of view, but the skill of mastering the "musical instrument" of human voice has its own particularity.It is untouchable and invisible, very abstract.Therefore (6) it is very important for soprano to form a completely accurate concept of sound image.
【学位授予单位】:西北师范大学
【学位级别】:硕士
【学位授予年份】:2004
【分类号】:J616
【引证文献】
相关硕士学位论文 前3条
1 曹海萍;改革开放以来女中音声乐文献研究[D];辽宁师范大学;2010年
2 高杨;透过芭托莉的演唱探究次女高音的特色[D];沈阳师范大学;2013年
3 奥建新;莫扎特歌剧《蒂托的仁慈》中女中音咏叹调《我走我走》的演唱分析[D];山西大学;2013年
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