瑶族“还家愿”仪式及其音乐的互文性研究——以湖南蓝山县汇源瑶族乡湘蓝村大团沅组“还家愿”仪式音乐为例

发布时间：2018-04-12 20:13

本文选题：瑶族 + 还家愿　；参考：《中国音乐》2010年04期

【摘要】："互文性(intertextuality)就是任何文本都处在若干文本的交汇处,都是对这些文本的重读、更新、浓缩、移位和深化。"广义互文性一般是指文学作品和社会历史(文本)的互动作用(文学文本是对社会文本的阅读和重写);而狭义的互文性是指一个具体文本与其他具体文本之间的关系,尤其是一些有本可依的引用、套用、影射、抄袭、重写等关系。互文性理论是当代西方后现代主义文化思潮中产生的一种文本理论。它涉及到当代西方一些主要文化理论如结构主义、符号学、后结构主义、西方马克思义等。同时,互文性理论涵盖了文学艺术中不少重大问题,如文学的意义生成问题,文本的阅读与阐释问题,文本与文化表意实践之间的关系问题等等。本文受此理论的启发,对瑶族"还家愿"仪式音乐文本的结构进行"互文性"理论研究。并认为其仪式音乐是由一系列复合型(如道教音乐、盘王大歌等)的仪式音乐文本构成。这些音乐文本在纵横两轴的时空维度中,逐步形成其"现象文本"和"生产性文本"以及与之相对应的"可读性文本"和"可写性文本"。
[Abstract]:"intertextuality" means that any text is at the intersection of a number of texts, rereading, updating, condensing, shifting and deepening these texts.Generalized intertextuality generally refers to the interaction between literary works and social history (text) (literary text is the reading and rewriting of social text, while the narrow sense of intertextuality refers to the relationship between a specific text and other specific texts.In particular, there are some reference, application, insinuation, plagiarism, rewriting and so on.Intertextuality theory is a kind of text theory produced in the contemporary western postmodernism cultural trend.It involves some main cultural theories such as structuralism, semiotics, post-structuralism, western Marxism and so on.At the same time, the theory of intertextuality covers many important issues in literature and art, such as the generation of literary meaning, the reading and interpretation of text, the relationship between text and cultural ideographic practice, and so on.Inspired by this theory, this paper makes a theoretical study on the intertextuality of the musical texts of the Yao nationality.It is considered that the ritual music is composed of a series of composite music texts, such as Taoist music, pan Wang Dage and so on.
【作者单位】：中央音乐学院音乐学系;
【基金】：上海普通高校人文社会科学重点研究基地·上海音乐学院中国仪式音乐研究中心建设规划项目课题编号:A09302 课题项目:《湖南瑶族道教仪式音乐及其与梅山教的文化关系研究》
【分类号】：J607

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