五声调式音阶结构的三段数字模式及教学法——以音乐学院附中教学为例

发布时间：2018-04-16 21:08

  本文选题：五声调式音阶 + 三段数字模式　； 参考：《星海音乐学院学报》2010年02期

【摘要】：音乐学院附中五声调式的学习成为视唱练耳课的教学难点。中国五声调式三段数字模式抓住了"小三度"音程在五声调式音阶结构中所处的不同位置,从而用简约、直观和形象的方法,表现出五声调式音阶的结构,使学习五声调式音阶结构所需的记忆量大大减少,解题所需的乐理知识量也减到最少,让学生能比较顺利地把握住五种五声调式的音阶结构及其特点,能快速而准确地识别、构成五声调式音阶,解决了辨别音阶和非视谱构唱音阶等教学难点。
[Abstract]:The study of five tones in the attached middle school of the Conservatory of Music has become a difficult point in the teaching of solfeggio and ear training.China's five-tone three-segment digital model captures the different positions of the "small three" interval in the pentatonic scale structure, thus showing the structure of the pentatonic scale by means of simplicity, intuition and image.The amount of memory needed to learn the pentatonic scale structure is greatly reduced, and the amount of musical knowledge required for solving problems is reduced to the minimum, so that students can grasp the five kinds of pentatonic scale structures and their characteristics more smoothly, and can recognize them quickly and accurately.The structure of pentatonic scale solves the difficulty of distinguishing the scale from the non-visual spectral scale and other teaching difficulties.
【作者单位】： 星海音乐学院音乐基础部;
【分类号】：J613.1
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本文编号：1760563