试析李斯特标题交响乐中的哲理性

发布时间：2018-04-16 23:29

本文选题：李斯特 + 标题交响乐　；参考：《湖南师范大学》2012年硕士论文

【摘要】：受浪漫主义思潮的影响,19世纪的艺术界热衷于从事与姊妹艺术相结合的艺术创作,以此来增强艺术的表现力。标题音乐作为这种思潮在音乐领域的代表,在此时得到发展并成熟。李斯特的标题音乐创作是他顺应浪漫主义思潮的要求以及自身音乐的感知,对浪漫主义的音乐形式进行的最富创造性的探索,极具意义。本文所论及的标题交响曲和交响诗的创作过程跨越了李斯特的大半生,和李斯特一起成长并成熟,而其中所蕴含的哲理性使它们具有更深的内涵。这种哲理性是由于受到生活和情感的影响,以及浪漫主义思潮的熏陶等而形成的,且表现出一种矛盾的特性。思想上的哲理影响着李斯特的音乐创作。本论文从“哲理性”出发,在明晰音乐中的哲理性及李斯特式哲理性的内涵的基础上进一步分析其形成的原因,并对标题交响乐中蕴含的哲理性及其表现的手法进行了一定的分析,最后在从李斯特“哲理性”传承和与同时代作曲家的比较分析中,从不同的侧面进一步理解并剖析李斯特标题交响乐中的哲理性。
[Abstract]:Influenced by romanticism, the art circles in the 19th century were keen on artistic creation combined with sister art to enhance the expressive power of art.Title music as a representative of this trend of thought in the field of music, at this time has been developed and mature.Liszt's title music creation is the most creative exploration of Romantic music form, which is the most creative exploration of his adaptation to the Romantic trend of thought and his own music perception.The writing process of title symphonies and symphonic poems in this paper spans most of Liszt's life and grows up and matures together with Liszt.This philosophy is formed by the influence of life and emotion, as well as the influence of romanticism, and shows a contradictory characteristic.The philosophy of thought influenced Liszt's music creation.Starting from "philosophy", this paper further analyzes the reasons for its formation on the basis of clarifying the connotation of philosophy and Liszt philosophy in music.It also analyzes the philosophy contained in the title symphony and its expression techniques. Finally, it analyzes the inheritance of Liszt's philosophy and the comparative analysis with the contemporary composers.To further understand and analyze the philosophy in Liszt's title symphony from different aspects.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J605

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