当前位置:主页 > 文艺论文 > 音乐理论论文 >

筝的五音定弦与历史渊源初探

发布时间:2018-04-19 11:26

  本文选题: + 五声音阶 ; 参考:《天津音乐学院》2002年硕士论文


【摘要】: 筝是我国具有古老传统的民族弹拨乐器,广受人民群众的喜爱。它的声音悠扬动听,尤其是所采用的五声音阶定弦加上左手的按、滑、颤、揉等多种表现方法能反映出人们的各种情趣。也使其在民族音乐中占有重要的一席之地。 本文从筝的历史发展、五声音阶定弦、五音在筝乐作品中的体现与结论四大部分进行论述。文章第一部分主要是以历代筝形制中弦数的变化为主,介绍了筝在我国古代的形制及功用等方面的发展概况,并将现代人们对筝的研究论著进行粗略的小结,,从而引出本文的核心论点“五声定弦的固定不变”。文章的第二部分分别论述了五声音阶的出现、舞阳贾湖骨笛测音结果的分析、五音产生所依赖的我国古代历史自然背景和劳动人民对五音的运用情况。综合性的分析了五声音阶这一“古老”的音阶形式与中国人民的思维及审美之间的内在联系。这一章是全文的核心。文章第三部分对传统筝曲和现代筝曲的音阶分析及五音定弦与现代筝曲音乐表现之间的矛盾进行论述。文章的最后对今后筝乐的发展提出展望并得出结论:借西方创作技法以奉五声之内在思维。
[Abstract]:Zheng is an ancient traditional national plucked musical instrument, which is popular with the people.Its sound melodious, especially the use of pentatonic strings plus the left hand of the press, slippery, shaking, kneading and other performance methods can reflect people's various interests.Also make it occupy an important place in folk music.This paper discusses the historical development of Zheng, the representation and conclusion of five-tone scale and five-tone in Zheng music works.The first part of the article is mainly based on the changes of string number in the form system of Zheng in the past dynasties. It introduces the development of Zheng in ancient China in shape and function, and gives a rough summary of the research works on Zheng by modern people.Thus leads to the core argument of this paper, "Fixedness of pentatonic fixed string".The second part of the article discusses the appearance of the five sound steps, the analysis of the results of the sound measurement of the Jia-Hu bone flute in Wuyang, the natural background of ancient Chinese history on which the five sounds are produced, and the application of the five sounds by the laboring people.This paper comprehensively analyzes the internal relationship between the pentatonic scale, the "ancient" scale form, and the thinking and aesthetics of the Chinese people.This chapter is the core of the full text.The third part discusses the scale analysis of traditional and modern Zheng music and the contradiction between the five-tone fixed string and the musical expression of modern zither music.At the end of the article, the development of zither music in the future is prospected and the conclusion is drawn: by using western creative techniques, we can think within five sounds.
【学位授予单位】:天津音乐学院
【学位级别】:硕士
【学位授予年份】:2002
【分类号】:J632.32

【引证文献】

相关硕士学位论文 前2条

1 任洁;《十天之间》的艺术特色与演奏体验[D];南京艺术学院;2008年

2 崔潇然;美学意蕴下的中国筝曲[D];西安音乐学院;2010年



本文编号:1772902

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/musictheory/1772902.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户f1cfb***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com