音乐学写作问题讨论并及相应结构范式与马勒作品个案写作

发布时间：2018-04-20 23:29

本文选题：音乐学写作 + 音乐学写作结构范式　；参考：《中国音乐学》2010年03期

【摘要】：该文通过个性写作与学科语言的问答引发如何通过语言去描写与表述语言所不能表达的东西的讨论,具体涉及:一、感性存在是否确凿可靠和充分有效的问题,二、感性经验和形而上意义的关系如何沟通甚至连接的问题,三、感性经验表述的可能性与否的问题。进而,提出音乐学写作及其相应结构范式,并针对与围绕马勒四部交响曲终曲慢板乐章进行个案修辞,具体包括:一、针对与围绕音乐事实的整体结构描写,二、针对与围绕音乐学实事的纯粹感性表述以及相关艺术、美学、哲学问题,三、针对与围绕音乐自身存在的tobe问题与形而上学意义以及先验存在问题。
[Abstract]:In this paper, the discussion of how to describe and express what language can not express through the question and answer of the language of the subject is discussed in detail: first, the problem of whether the perceptual existence is reliable and full and effective, two, how the relationship between perceptual experience and metaphysical meaning communicate and even connect, three, perceptual experience table The question of the possibility or not. Then, it puts forward the composition of musicology and its corresponding structural paradigm, and carries out a case study of the four Symphony centering on Ma Le's symphony, including: first, the whole structure description of the music facts around the music, two, the pure perceptual expression and related art about the facts surrounding the musicology. Aesthetics, philosophy, three, tobe and metaphysical meaning and transcendental problems in relation to music itself.

【作者单位】：中央音乐学院;上海音乐学院音乐学系;
【基金】：“上海高校创新团队发展计划资助”
【分类号】：J614

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