张新化及其作品《阴山岩画印象—狩猎》艺术分析

发布时间：2018-04-21 17:23

本文选题：手风琴 + 阴山岩画　；参考：《河北师范大学》2012年硕士论文

【摘要】：阴山山脉横亘在内蒙古自治区的中南部，那里草原辽阔、气候宜人。在这个“风吹草低见牛羊”的美丽的地方产生了灿烂的民族文化，阴山岩画就是其中最具代表性的。它历史悠久、造型精美、具有较深的艺术内涵。《阴山岩画印象—狩猎》是以阴山岩画为题材的音乐作品，在为数不多的此类音乐作品中，它尤为值得关注和研究。它的独特和成功之处在于首先这部作品首次尝试了手风琴与乐队合作的形式，这对于手风琴这件年轻的乐器而言，具有实践和创新的重要意义，，这部作品充分证明了手风琴音色丰富多彩、创作空间巨大以及演出形式多样化的特点。其次这部作品通篇采用了全音阶语汇和自由低音的思维，在当时那个年代，我国音乐家创作的器乐作品基本都是民族调式或大小调体系，能够想到用全音阶创作说明作者思路的开阔，通过实践将全音阶语汇运用到了这部作品更说明作者的创作功底之深。对于左手部分采用自由低音的思维进行创作是因为注意观察生活中的小细节而发现了手风琴在制造中的奥秘，这一点更加体现了作者创作态度的认真、严谨。这篇论文共从三个方面来论述，分别是第一章作品概述，第二章作品的艺术分析，第三章张新化的平生和学术成就。在第一章节中介绍了《阴山岩画印象—狩猎》的创作背景以及阴山岩画的艺术特点。在第二章分析了这部作品的艺术风格，主要从曲式、创作技法、演奏技巧三个方面进行分析。在第三章介绍了张新化的平生、学术成就以及他对于手风琴教学、演奏等方面的见解。在论文写作中所用到的研究方法有文献法、调查研究法、跨学科研究法。利用这些方法通过三个方面的论述，最终证实这部作品在中国手风琴作品中的重要地位以及它本身所蕴含的巨大价值，作者张新化为中国手风琴事业所作出的重大贡献。
[Abstract]:The Yinshan Mountains lie in the central and southern part of Inner Mongolia Autonomous region, where the grasslands are vast and the climate is pleasant. In this beautiful place of "wind blowing grass low to see cattle and sheep" produced brilliant national culture, Yinshan rock painting is one of the most representative. It has a long history, exquisite shape and deep artistic connotation. "Impression-Hunting" is a musical work with Yin-shan Rock painting as its subject matter, among which it is especially worthy of attention and study. Its uniqueness and success lies in its first attempt at the form of accordion cooperation with the band, which is of practical and innovative significance to the accordion as a young instrument. This work fully proves the characteristics of accordion's rich and colorful timbre, huge creative space and various forms of performance. Secondly, the whole of this work adopts the thinking of monosyllabic vocabulary and free bass. At that time, the instrumental works created by Chinese musicians were basically national modulation or major minor system. It is possible to think of using the whole scale to illustrate the author's open mind, and to apply the whole scale vocabulary to this work through practice, which shows the author's foundation of creation. The left hand part uses the free bass thought to carry on the creation because has discovered the accordion in the manufacture mystery by paying attention to the observation in the life small detail, this point has manifested the author's creative attitude earnest, rigorous. This thesis is discussed from three aspects: the first chapter is an overview of works, the second chapter is the artistic analysis of works, the third chapter is Zhang Xinhua's life and academic achievements. In the first chapter, the author introduces the background and artistic characteristics of Yinshan rock painting. In the second chapter, it analyzes the artistic style of this work, mainly from three aspects: music form, creative technique and performance technique. Chapter three introduces Zhang Xinhua's life, academic achievements and his views on accordion teaching and playing. The research methods used in the thesis writing are literature method, investigation method and cross-disciplinary research method. By means of these methods, it is proved that this work plays an important role in the Chinese accordion works and the great value it contains. The author Zhang Xin has made a great contribution to the Chinese accordion cause.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J624.3

【相似文献】