三弦独奏曲《听风》的二度创作

发布时间：2018-04-23 16:05

本文选题：《听风》 + 二度创作　；参考：《天津音乐学院》2012年硕士论文

【摘要】：二度创作就是要在尊重原创的基础上,认真解读原创作品的创作意图及内在情感,根据自身的演奏经验和能力,合理的把握和运用各种技巧和手段,真实准确的表现作品内容。器乐作品的二度创作,虽已不是一项新颖的研究课题,但它始终是演奏者孜孜不倦的探索目标和永恒追求。本文中,笔者以作品《听风》为载体,从创作特点、曲式结构和段落分析方面,结合我的自身演奏进行分析。从不同角度分析了作曲家姚盛昌先生创作的《听风》这首乐曲所蕴含的意境,及作品的深刻内涵、创作技法和这部作品对三弦这件乐器的完美展现。
[Abstract]:Second creation is to respect the original on the basis of careful interpretation of the original works of creative intention and internal feelings according to their own experience and ability to play reasonable grasp and use of various skills and means to truly and accurately express the content of the work. Although the second creation of instrumental music works is not a new research subject, it is always the persistent goal and eternal pursuit of players. In this paper, I take the work "listening to Wind" as the carrier, from the aspects of creative characteristics, musical structure and paragraph analysis, combined with my own performance to analyze. This paper analyzes the artistic conception of the music composed by composer Yao Shengchang from different angles, the profound connotation of the work, the creative techniques and the perfect display of the three-string instrument in this work.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J614

【参考文献】