左翼电影歌曲的歌词研究

发布时间：2018-04-28 16:54

本文选题：左翼电影歌曲 + 歌词　；参考：《上海师范大学》2012年硕士论文

【摘要】：在左翼电影运动中，电影音乐尤其是电影歌曲的创作是成果最为丰硕的一个领域，这些歌曲不仅在当时社会产生了积极地影响，并且许多歌曲传唱至今，成为人们怀旧情结中的一部分。左翼电影和电影歌曲产生于20世纪30年代，特殊的时代背景使歌曲的主题烙上了时代的印记。左翼工作者坚持将音乐作为斗争的“武器”，他们所创作的电影歌曲兼具政治性和艺术性，是我国歌曲创作史难以磨灭的一笔。本文对左翼电影歌曲的歌词从文本、主题、题材、美学意义等多方面，分析总结歌词的文本特点，试图对歌词文本的内涵和深层意义进行挖掘。第一章介绍了左翼电影歌曲的产生和歌词的发展过程。左翼电影歌曲为配合电影叙述和表达，根据它们在电影中的不同分布和作用，分为主题曲和插曲两种，而主题歌和插曲在本篇论文的歌词分析中，被大量举例。歌词这一概念虽然自古便已有之，但是现代歌词却是从左翼电影歌曲开始被人们所广泛认知和接受，因此左翼电影歌曲可谓是现代歌词研究的最佳范本。第二章从左翼电影歌曲歌词的主题、对中国古典文学的吸收运用和左翼音乐工作者与“靡靡之音”的争论三方面，分析歌词的特色。20世纪30年代，民族矛盾已成为中国最大的矛盾，反帝反封建和抗日救亡成为歌词所要表达和践行的主题。在歌词的具体创作中，词作者受到传统诗歌文学的影响和熏陶，在歌词的建构中合理性地运用意象等表现手法，为歌词这个特殊的文学样式增加了文学性。同时代，左翼音乐的救亡观念与黎锦晖的都市音乐观念产生矛盾和冲突，时至今日，这种矛盾冲突还在研究者中引起争论，艺术本是百花齐放，但在特殊的时代背景下，救亡的思想压倒其它，黎锦晖的都市音乐创作，将音乐看成启蒙的方式的观念，与左翼音乐工作者提倡的“武器”说形成了分歧。第三章从都市和乡村地域上的社会的整体观照，研究歌词文本对社会的整体性感知，其中也能察觉词作者对于都市和乡村文化不同的情感。选取了当时最具有代表性的知识分子和女性的形象，从歌词中分析人们在特殊的时代大潮面前的心境和他们的转变。第四章是对歌词所体现的现代美学意义进行分析，左翼电影歌曲配合电影主题和时代的需要，重视“救亡”主题的表达，但在后人的研究中“启蒙”的价值被忽略，认为“救亡压倒启蒙”。本文试图对被低估的“启蒙”价值进行分析，从而肯定“启蒙和救亡的双重变奏”。左翼歌曲依托于左翼电影，，产生于都市，必然受到都市的现代性影响，但是知识分子和农民这两类主要移民的城市生活体验，使他们更加怀念乡土情怀，在歌词上就体现了现代性和传统性的并存。深入了解历史和文化，客观地分析，在对历史的回顾中感知历史，了解文化，在时代的发展中超越历史，是一切历史研究，包括本文在内的根本目的。
[Abstract]:In the left - wing film movement , the creation of the film music , especially the movie songs , is one of the most fruitful fields , which not only have had a positive influence on the society at that time , and many songs have been sung so far and have become part of the old complex .

The first chapter introduces the development of the production and the lyrics of the left - wing film song . The left - wing film song is divided into the theme song and the episode according to their different distribution and function in the film , and the theme song and the episode are widely recognized and accepted by people in the lyric analysis of this thesis , so the left - wing film song is the best model of modern lyrics research .

The second chapter analyzes the features of the lyrics from the theme of the lyrics of the left - wing film , the absorption of Chinese classical literature and the debate between the left - wing music worker and the " popular music " . In the concrete creation of the lyrics , the contradiction and conflict between the anti - imperialist and anti - feudalism and the anti - Japanese salvation are the themes to be expressed and practiced . In the same time , the idea of the salvation of the left - wing music and the urban music concept of the Li Zhaohui have caused the conflict and the conflict . In the same time , the thought of salvation lies with the idea of the way of enlightenment , and the " weapon " advocated by the left - wing music worker is divided .

In the third chapter , from the whole view of the society in the urban and rural areas , the article studies the whole perception of the lyrics text to the society , in which the author also can perceive the different emotions of the writers to the urban and rural cultures . The most representative intellectuals and the female images are selected from the lyrics , and the mood of people before the tide of the special times and their transformation are analyzed from the lyrics .

The fourth chapter analyzes the meaning of modern aesthetics embodied in the lyrics , the left - wing film song matches the film theme and the needs of the times , pays attention to the expression of the theme of " salvation " , but in the later studies the value of " enlightenment " is ignored , thus affirming the " enlightenment and salvation " .

In - depth understanding of history and culture , objectively analyzing , perceiving history in reviewing history , understanding culture , surpassing history in the development of the times , is all historical research , including the fundamental purpose of this article .

【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J614.9

【参考文献】