浅析普罗科菲耶夫钢琴套曲《罗密欧与朱丽叶》Op.75

发布时间：2018-05-08 00:24

本文选题：普罗科菲耶夫 + 钢琴套曲《罗密欧与朱丽叶》　；参考：《西安音乐学院》2012年硕士论文

【摘要】：谢尔盖·谢尔盖耶维奇·普罗科菲耶夫(Sergey Sergeyevich Prokofiev)是原苏联著名的作曲家、钢琴家和指挥家。他对二十世纪的音乐发展有着极为深远的影响。普罗科菲耶夫是二十世纪音乐家的杰出代表。本文以普罗科菲耶夫创作的钢琴套曲《罗密欧与朱丽叶》op.75为研究对象，分为三个部分进行分析研究。第一部分主要介绍了作曲家普罗科菲耶夫的成长历程和不同时期创作过的经典作品，并且对其创作风格做了整体的概括。第二部分是对钢琴套曲《罗密欧与朱丽叶》的具体分析，，主要介绍了这部作品的创作背景和对谱面的音乐语言和织体分析。第三部分是从演奏技法的角度探讨了应该用什么样的触键和踏板来呈现交响化的音色。从以上这些角度深入的体会普罗科菲耶夫独特的创作风格和丰富的艺术表现力，从而能更完美的呈现这部作品。希望本文能为大家更深入的了解和学习这部钢琴套曲提供有益的参考和借鉴。
[Abstract]:Sergey Sergeyevich Prokofyev Sergeyevich Prokofievis is a famous composer, pianist and conductor of the former Soviet Union. He had a profound influence on the development of music in the 20 th century. Prokofyev was an outstanding representative of the musicians of the twentieth century. Based on Prokofyev's piano ensemble Romeo and Juliet op.75, this paper is divided into three parts. The first part mainly introduces the growing up process of composer Prokofyev and the classical works created in different periods, and generalizes the style of his creation as a whole. The second part is the concrete analysis of the piano suite Romeo and Juliet, mainly introduces the creation background of this work and the musical language and texture analysis of the spectrum. The third part discusses what kind of touch keys and pedals should be used to present symphonic timbre from the point of view of playing techniques. From these angles, we can deeply understand Prokofyev's unique creative style and rich artistic expression, so that he can present this work more perfectly. I hope this article can provide a useful reference for us to understand and learn this piano suite.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J624.1

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