论肖邦《f小调第二钢琴协奏曲》创作特征和演奏要领

发布时间：2018-05-09 03:28

本文选题：肖邦 + f小调第二钢琴协奏曲　；参考：《中国音乐学院》2012年硕士论文

【摘要】：肖邦,波兰最伟大的作曲家、钢琴家,唯一一位仅以钢琴创作而流传百世的音乐家。情感驱使和时代需要使肖邦创作了《f小调第二钢琴协奏曲》,而本文探讨的“花腔式旋律”也称华彩经过句或华彩片段,就是肖邦最典型也是运用最广泛的创作元素。“花腔式旋律”的运用将声乐性与器乐性完美融合,旋律显得愈加高贵华丽,钢琴仿佛人声或弦乐般具有呼吸和歌唱的能力。也正是这些“花腔式旋律”的巧妙出现,使整首作品富有浓郁的浪漫主义色彩。如果想将“花腔式旋律”演奏得既传神又不显扭捏做作,既富有歌唱性又灵动清澈的话,对Rubato节奏、触键、踏板等演奏技巧要多加研究及推敲。
[Abstract]:Chopin is Poland's greatest composer, pianist, and the only musician who has lived on piano. Emotion driven and times need make Chopin create Piano Concerto No. 2 in F minor. The "Flower Melody" discussed in this paper is also called "flowery melodies", that is, Chopin is the most typical and widely used creative element. The use of "Flower Melody" perfectly merges vocal and instrumental music, melodies appear more noble and gorgeous, and the piano has the ability to breathe and sing as if it were a voice or string music. It is the ingenious appearance of these melodies that make the whole work full of romantic colors. If you want to play "Flower Melody" both vividly and not twist, both full of singing and clear, to Rubato rhythm, touch keys, pedal and other playing skills should be studied and studied.
【学位授予单位】：中国音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J624.1

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