罗奇伯格《第二交响曲》研究

发布时间：2018-05-21 08:09

本文选题：罗奇伯格 + 第二交响曲　；参考：《上海音乐学院》2011年硕士论文

【摘要】：本文以美国作曲家乔治·罗奇伯格(George Rochberg,1918-2005)的《第二交响曲》为研究对象,分析研究罗奇伯格的十二音创作理念和技术,以及如何将西方音乐传统与十二音结合进行创作。乔治·罗奇伯格是凭借其1972年的《第三弦乐四重奏》而成为美国“新浪漫主义”音乐的领军人物,但是历史的突然瞬间背后往往隐藏着一个必然的渐变过程。罗奇伯格对于传统的“执着”,在其早期十二音音乐创作阶段就可以寻到“根源”,而如此“执着”的原因是复杂而多样的。对于这部作为十二音创作阶段成熟而大型的代表性作品《第二交响曲》,本文从历史文化的语境、作曲家的个人经历、作品的实证分析等多个层次对其进行解读,并采用序列音乐的分析方法、音级集合理论以及传统的作品分析手法,立体而全面地对《第二交响曲》进行剖析和论述。本文分为绪论、第一至第四章和结语。绪论部分从选题缘由——国内外研究现状——研究内容及说明三个层次对本研究的思路进行说明。第一章从历史文化的角度,对二十世纪五十年代美国十二音音乐的发展进行了回顾,主要从发展环境和发展现象进行阐述；第二章着眼于罗奇伯格本身,主要从其十二音创作概述及其十二音理论研究两个方面来阐述作曲家的十二音技术和理论；第三章和第四章以作品的实证分析为主,分别从十二音序列的设计与使用、传统创作思维下的创作两大方面,论述了罗奇伯格如何以传统创作思维驾驭十二音技术进行作品的创作。结语部分在对罗奇伯格的《第二交响曲》及其十二音创作风格做出判断后,究其成因并与作曲家的新浪漫主义时期创作进行了联系,为罗奇伯格“后十二音”创作阶段的研究打下基础。
[Abstract]:Taking the second Symphony by American composer George Rochberger 1918-2005 as the research object, this paper analyzes the ideas and techniques of Rochberg's 12-tone creation, and how to combine the western music tradition with the 12-tone. George Rochberg became a leader in American "Neo-Romantic" music by virtue of his 1972 string Quartet, but the sudden moment of history often hides an inevitable gradual process. Rochberg's obsession with the traditional music can be found in his early stage of music creation, and the reasons for such persistence are complex and varied. The second Symphony, which is a mature and large-scale work in the stage of 12-tone creation, is interpreted in this paper from the historical and cultural context, the composer's personal experience, the empirical analysis of the work, and so on. The second Symphony is analyzed and discussed in a stereoscopic and comprehensive way by means of the analysis method of serial music, the theory of sound level set and the traditional method of work analysis. This article is divided into the introduction, the first to the fourth chapter and the conclusion. The preface explains the ideas of this study from three levels: the reason of selecting the topic-the current research situation at home and abroad-the research content and the explanation. The first chapter reviews the development of American 12-tone music in the 1950s from the perspective of history and culture, mainly from the perspective of the development environment and development phenomenon. Chapter two focuses on Rochberg himself. This paper mainly expounds the composer's 12 tone technology and theory from two aspects: the outline of his creation and the study of his 12 tone theory. Chapter 3 and 4 mainly focus on the empirical analysis of his works, respectively from the design and use of the twelve tone sequence. In this paper, the author discusses how Rochberg uses traditional creative thinking to control the twelve-tone technique in the creation of his works. In the conclusion part, after judging the second Symphony of Rochberg and its twelve tone writing style, the author investigates the causes and links it with the composer's Neo-Romantic creation. It lays a foundation for the study of Rochberg's writing stage of the latter twelve notes.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J614

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