湖南民歌及民歌音调创编的合唱作品分析与研究

发布时间：2018-05-23 20:02

本文选题：湖南民歌 + 合唱作品　；参考：《湖南师范大学》2003年硕士论文

【摘要】： 湖南民歌，源远流长，浩如烟海。各民族、各地区都具有自己独特的风格。现代意义上的中国合唱艺术，至今仅有一百年左右的历史。而根据湖南民歌音调创作或改编成多声性的合唱作品，则是上世纪30年代才开始萌芽。通过几代作曲家的不断探索，已经创作出了一批批极有影响的合唱作品。本文是分湖南汉族民歌和湖南少数民族民歌两大部分来讨论其代表性的创作或改编的合唱作品(以下简称汉族合唱作品和少数民族合唱作品)。而汉族合唱作品和少数民族合唱作品又分别是以域性(地域性)和族性(民族性)来展开的。在展开时，基本是基于一条相同的思路：先对其独具特色的音调予以概括性的论述，再主要以其代表性的合唱作品来进行分析。如同我国民族居住特点一样，湖南汉民族人多域广，而湖南少数民族地广人稀。根据汉族民歌中最能体现地方性风格特点和音调结构的劳动号子、山歌、小调等歌种的比较，及汉族各地区方言的差异性，把湖南汉族民歌按地域分为湘中、湘东、湘西、湘南四个民歌色彩区。少数民族，则主要以人口多少，同时也是以已经发掘和整理的民歌、民间音调数量较多且较为完善的土家族、苗族、侗族、瑶族来概括和讨论。湖南民歌及民歌音调创作和改编的合唱作品，，应立足于中国传统音乐体系，根植于原民歌中的音调特性和内在神韵，依据中国传统音乐的创作规律，适当借鉴西洋作曲技法来进行创编，从多角度挖掘出中国传统音乐的精髓，这就需要我们：一方面，要传承我们的民族音乐，并弘扬它。另一方面，要在原民歌的基础上展开立体性思维，吸纳国外先进的创作手法，更充分地展示我国民族、民间音乐的艺术魅力。
[Abstract]:Hunan folk songs, a long history, the vast sea. Each nationality, each region has its own unique style. Chinese choral art in the modern sense is only about a hundred years old. However, according to Hunan folk song tone creation or adaptation into polyphonic choral works, it began to sprout in the 1930s. Through the continuous exploration of several generations of composers, a lot of influential choral works have been created. This paper is divided into Hunan Han folk songs and Hunan minority folk songs to discuss their representative creation or adaptation of chorus works (hereinafter referred to as Han chorus works and minority chorus works). The Han nationality chorus works and the minority chorus works are carried out in the regional (regional) and ethnic (national) respectively. In the process of development, it is based on the same idea: first give a general discussion of its unique tone, and then analyze it mainly by its representative choral works. As in our country, the Han nationality in Hunan has a wide range of people, while the minority nationalities in Hunan are rare. According to the comparison of the labor number, folk song, minor tune and so on, which can best reflect the local style and the tone structure of the Han folk songs, and the differences in the dialects of the Han nationality, the Han folk songs in Hunan are divided into the central Hunan, the eastern Hunan and the western Hunan according to the region. Four color areas of Hunan folk songs. The ethnic minorities, on the other hand, are summarized and discussed mainly by the population, but also by the folk songs which have been discovered and sorted out, and which have more and more perfect folk tones, such as Tujia, Miao, Dong and Yao. Hunan folk song and folk song tone creation and adaptation should be based on the Chinese traditional music system, rooted in the original folk song tone characteristics and inherent charm, according to the law of Chinese traditional music creation. Drawing on Western composing techniques properly to create and compile, excavating the essence of Chinese traditional music from many angles, this needs us: on the one hand, to inherit our national music, and carry it forward. On the other hand, it is necessary to develop three-dimensional thinking on the basis of the original folk songs, absorb advanced creative techniques from abroad, and more fully display the artistic charm of Chinese national and folk music.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J607

【引证文献】