莫扎特《第二十七钢琴协奏曲》的创作、演奏及人文精神研究

发布时间：2018-05-24 00:29

本文选题：莫扎特 + 第二十七钢琴协奏曲　；参考：《燕山大学》2012年硕士论文

【摘要】：莫扎特是在西方音乐史中占有重要地位的音乐家，在他短暂的35年生涯里为人类留下了丰富而宝贵的音乐遗产，为音乐的发展做出了重要贡献。莫扎特的《降B大调第二十七钢琴协奏曲》（K.595）是作曲家在生命中的最后一年完成的，被许多研究莫扎特的音乐家们誉为“莫扎特的精神遗嘱”，在其众多的钢琴协奏曲中是最具代表性的、思想内涵最丰富的一首。本文以此作品为研究对象，通过了解作品的背景，把握作品的曲式结构、旋律进行等方面的特点以及创作风格，进而对作品进行演奏分析，最后挖掘音乐背后的人文精神。从而对作曲家及其作品有更深的感悟和认识。首先，概述莫扎特生平、其钢琴协奏曲的确立和创作历程，以及《第二十七钢琴协奏曲》的创作背景。并对作品的三个乐章进行音乐本体分析，包括曲式结构、调式调性、速度与力度、和声发展和旋律进行等方面。其次，从曲式结构和音乐风格两个方面分析《第二十七钢琴协奏曲》的创作特点：具有独创性的双呈示部的奏鸣曲式和华彩乐段以及音乐风格中的流畅性、歌唱性、平衡性和人文性。再次，对作品的三个乐章进行演奏分析，从速度、力度、节奏、音色、踏板以及装饰音六个方面得出演奏技巧的结论。最后，研究作品的人文精神，从更深层次挖掘作品的内涵，，感知莫扎特对人生的思索。在对《第二十七钢琴协奏曲》的研究中，本文有理性的分析，也有感性的认识。希望能使该作品的价值得到进一步的体现与升华，同时也希望能对莫扎特作品的演奏者以及莫扎特音乐的爱好者提供一定的借鉴与帮助。
[Abstract]:Mozart is a musician who occupies an important position in the history of western music. In his short career of 35 years, he has left a rich and precious musical legacy for mankind and made important contributions to the development of music. Mozart's Piano Concerto No. 27 in B major was completed by composers in the last year of their lives, and was hailed by many Mozart musicians as "Mozart's spiritual will." In its numerous piano concertos is the most representative, the most rich ideological content of one. This article regards this work as the research object, through understanding the background of the work, grasping the characteristics and creative style of the music form structure, melody and so on, then performing and analyzing the work, finally excavating the humanistic spirit behind the music. Thus the composer and his works have a deeper understanding and understanding. Firstly, it summarizes Mozart's life, the establishment and creation process of his piano concerto, and the background of Piano Concerto No. 27. This paper also analyzes the three movements of the works, including the structure of the musical form, the tonality of the mode, the speed and intensity, the development of harmony and melody, and so on. Secondly, this paper analyzes the creative characteristics of Piano Concerto No. 27 from the aspects of musical structure and style: sonata form and colorful music passage with original double presentation and fluency and singing in music style. Balance and humanity. Thirdly, the paper analyzes the three movements of the works and draws the conclusion from the speed, intensity, rhythm, timbre, pedal and decorative sound. Finally, the humanistic spirit of the works is studied, the connotation of the works is excavated from a deeper level, and Mozart's thinking of life is perceived. In the study of Piano Concerto No. 27, this paper has rational analysis and perceptual understanding. It is hoped that the value of this work can be further reflected and sublimated, and at the same time, it is also hoped that it can provide some reference and help to Mozart performers and Mozart music lovers.
【学位授予单位】：燕山大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J624.1

【引证文献】