魏晋南北朝时期佛教音乐特征研究

发布时间：2018-05-25 01:28

本文选题：魏晋南北朝 + 佛教　；参考：《四川师范大学》2012年硕士论文

【摘要】：魏晋南北朝是中国历史上的民族大分裂时期。自西晋八王之乱以后,北方游牧部族纷纷南下,相继建立割据政权,使中原地区陷入分裂,战争频发、社会动荡、疫疾流行、民众流离失所、精神困苦,但正是这种外在动荡的社会,却给包括佛教音乐在内的佛教提供了很大的发展空间。佛教的治心与人心思宁,尤其是佛教音乐以它那特有的清淡、舒缓的风格直接浸润着人们的心灵。人们在与佛教音乐心与心的交流过程中,社会也在逐渐从分裂走向统一,各民族在融合中求同存异,为大一统帝国的重建奠定了重要的基础。基于以上原因,本文以民族大分裂时期的魏晋南北朝为切入点,重点探索了作为外来文化的佛教及佛教音乐是在怎样的社会大背景下生存并逐渐发展起来的,又是怎样在民族大分裂的魏晋南北朝时期的中国,经过历朝历代各族统治者的倡导和僧人的改造,终于发展成为具有中国传统风格特点的佛教及中国化的佛教音乐。首先,本文论述了魏晋南北朝时期佛教和佛教音乐产生的背景及当时的生存状态。交代了魏晋南北朝的时代背景,分析了佛教在魏晋南北朝时期传播兴盛的原因,并对佛教音乐传播的地域及传播方式作了相应梳理。接着,对梵呗进行了专题研究,阐明了印度佛教音乐传入并融入中国发生的诸多变化。梵呗音乐传入后,经过了地域、语言、文化等方面相互交流、相互吸收的过程,形成了具有中国色彩的梵呗演变方式。在前两点的基础上,本文进一步对魏晋南北朝时期佛教音乐的特征作了较为深入细致的研究,从而充分地认识到魏晋南北朝时期佛教音乐的艺术价值。
[Abstract]:Wei, Jin, Southern and Northern dynasties was a period of great national division in Chinese history. After the chaos of the eight kings of the Western Jin Dynasty, the nomadic tribes of the North went south one after another and established the separatist regime one after another, causing the Central Plains region to fall into secession, frequent wars, social unrest, epidemic epidemics, people's displacement, and spiritual hardship. But it is this kind of external turbulent society that provides great space for the development of Buddhism, including Buddhist music. In particular, Buddhist music, with its unique light and soothing style, directly infiltrates people's hearts. In the process of communicating with the heart and heart of Buddhist music, the society is gradually moving from division to unification, and all nationalities seek common ground while reserving differences in fusion, which lays an important foundation for the reconstruction of the unified empire. Based on the above reasons, this paper takes the Wei, Jin and the Southern and Northern dynasties during the period of great national division as the breakthrough point, and probes into what kind of social background Buddhism and Buddhist music, which are foreign cultures, exist and develop gradually. And how in the period of the Wei Jin Southern and Northern dynasties of the great national division of China through the successive dynasties of the rulers of all ethnic groups and the transformation of monks finally developed into Chinese traditional style of Buddhism and Chinese Buddhist music. Firstly, this paper discusses the background and living state of Buddhism and Buddhist music in Wei, Jin, Southern and Northern dynasties. This paper explains the background of Wei, Jin and Southern and Northern dynasties, analyzes the reasons for the spread of Buddhism in the period of Wei, Jin and Northern and Southern dynasties, and combs the region and mode of Buddhist music dissemination. Then, a special study is made on Brahma to illustrate the many changes that have taken place in the introduction and integration of Indian Buddhist music into China. After the introduction of Brahman music, after the region, language, culture and other aspects of mutual exchange, mutual absorption process, formed a Chinese style of evolution of the Vatican. On the basis of the first two points, this paper makes a deep and detailed study on the characteristics of Buddhist music in Wei, Jin, Southern and Northern dynasties, so as to fully realize the artistic value of Buddhist music in Wei, Jin and Southern and Northern dynasties.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J608

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