和声思维在复对位写作中的运用

发布时间：2018-05-27 22:20

本文选题：复对位写作 + 和声思维　；参考：《河南大学》2003年硕士论文

【摘要】： 复对位是对位法中一种重要的技巧，在学习对位法时，复对位也是较难理解的内容之一。历史上对位与和声是共生共荣的关系。和声学源于对位的实践，反过来和声学又影响着对位法原则的形成与发展，并逐渐将对位纳入自己的控制之下，于是出现了巴洛克复调音乐的顶峰时代。而在近代以来，对位与和声是分开来研究的，由之产生的结果是，二者被对立起来理解，因而产生了认识上的偏差与学习上的困难。基于上述事实，本文首先将和声学与对位法的关系进行了梳理，将对位分为三种形态。每种对位分别对应各自的和声观念，依次为：音程对位——音程和声；调式对位——调式和声；调性对位——调性和声。其中对音程对位的分类是本文提出的对对位法分类的新观点；并通过论证揭示和声思维指导对位写作的必然性。然后，从和声节奏、和声序进的角度入手论述复对位的写作。先依据对位织体中旋律之间结合时形成和弦的规律,设计了一系列相配套的和弦复对位变化表以及相关的符合系统；再将谱例中和声序进在复对位前后的变化形式进行定性定量的分析比较，揭示出和声思维在复对位写作中的运用规律。本文对复对位前后和声序进变化规律的论述是作为一种新的复对位写作理论而提出的，即以和声序进的变化规律来控制复对位前后的各项变量如音级、音程、调式调性等的运用，，简而言之，就是以和声思维来构思复对位的写作。
[Abstract]:The complex pair is an important skill in the pair method, and it is also difficult to understand in the study of the pair method. In history, the relationship between harmony and harmony is symbiotic and co-prosperity. Harmony originates from the practice of opposites, in turn, harmony influences the formation and development of the principle of position law, and gradually brings the opposite under its control, thus the peak period of Baroque polyphony music appears. Since modern times, the opposite position and harmony have been studied separately, the result of which is that they are opposite and understood, resulting in the deviation in cognition and the difficulty in learning. Based on the above facts, the relationship between harmony acoustics and pairwise method is firstly combed, and the opposite position is divided into three forms. Each pair corresponds to its own concept of harmony, which is in turn: range-range harmony; tone-tone harmony; tonality-tone-tone harmony. Among them, the classification of interval alignment is a new viewpoint proposed in this paper, and the necessity of guiding contrastive writing by harmonic thinking is revealed through demonstration. Then, from the perspective of harmony rhythm and harmony progression, this paper discusses the writing of complex pairs. According to the law of the formation of chords when the melodies are combined with each other, a series of matching chord complex alignment tables and related coincidence systems are designed. Then the qualitative and quantitative analysis and comparison of the changing forms of harmonic sequence before and after complex pairs in spectral examples reveal the application law of harmony thinking in complex opposites writing. As a new writing theory of complex pairs, this paper discusses the regularity of the variation of the harmonic sequence before and after the complex pair, that is, the variation law of the harmony sequence is used to control the variables before and after the complex pair, such as the sound level, the sound interval, and so on. The use of tonality, in short, is to conceive conjunctive writing with harmony thinking.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J614.1

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