19世纪欧洲浪漫主义标题音乐文学性的体现

发布时间：2018-05-29 08:29

本文选题：浪漫主义 + 标题音乐　；参考：《湖南师范大学》2011年硕士论文

【摘要】：本文通过介绍标题音乐的概况,阐述标题音乐的起源,介绍标题音乐的几种体裁,以及分析标题音乐中所包含的文学性特征来对文章进行论述。论文第一章简单介绍了标题音乐的定义与概况,以及阐述标题音乐从文艺复兴时期到巴洛克时期的发展初期,古典主义时期的发展中期,浪漫主义时期的发展盛期的三段历史。再进一步说明浪漫主义时期标题音乐的主要表现体裁,笔者把浪漫主义时期的标题音乐体裁分为五大类：(1)音乐会序曲,(2)标题性组曲, (3)标题性器乐套曲、特性小品,(4)标题交响曲,(5)标题交响诗。接下来,笔者对19世纪标题音乐与文学结合的必然性从以下三个方面进行了论述：浪漫主义文学艺术的发展、文学对标题音乐的影响、标题音乐家的文学思维。论文主要章节是对标题音中具有文学特征的六点进行了分析,笔者用文学的思维和术语把他们分为：标题性、旋律刻画人物形象、描绘性的文字说明、音效对比突显矛盾冲突、配器手法烘托场景气氛、借音乐给人以启示。在论文的最后一章中,笔者从提高听众对音乐的认知度、丰富音乐形式、增强与姊妹艺术的联系三个方面来论述了标题音乐中具有文学性的重要意义。这篇论文的撰写,笔者认为是对浪漫主义时期标题音乐这一极具代表性的音乐形式的一种更深层次方面的分析,也是对19世纪欧洲浪漫主义时期音乐与姊妹艺术相结合这一特点的最富有个性见解的论述。
[Abstract]:By introducing the general situation of title music, expounding the origin of title music, introducing several genres of title music, and analyzing the literary characteristics contained in title music, this paper discusses the article. The first chapter briefly introduces the definition and general situation of title music, and expounds the three periods of history of title music from Renaissance to Baroque period, from the middle stage of classicism period to the prosperous period of Romantic period. The author divides the title music genre of the Romantic period into five categories: 1) the prelude to the concert, 2) the title suite, and 3) the title instrumental ensemble. Title Symphony No. 5) title symphonic poem. Then, the author discusses the inevitability of the combination of title music and literature in the 19th century from the following three aspects: the development of Romantic literature and art, the influence of literature on title music, and the literary thinking of title musicians. The main chapter of the thesis is to analyze the six points with literary characteristics in the title sound. The author uses literary thinking and terminology to divide them into: title, melodic portrayal of characters, descriptive text description, contrast of sound effects highlight contradictions and conflicts. The orchestration sets off the scene atmosphere by music to enlighten people. In the last chapter, the author discusses the importance of literature in the title music from three aspects: enhancing the audience's recognition of music, enriching the music form and strengthening the connection with sister art. The author believes that the writing of this paper is an analysis of a deeper aspect of the title music of the Romantic period, which is an extremely representative form of music. It is also the most personal view of the combination of music and sister art in the European Romantic period of the 19 th century.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J609.1

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