由器乐曲改编的中国钢琴曲研究

发布时间：2018-05-29 13:04

本文选题：钢琴 + 改编　；参考：《山东师范大学》2004年硕士论文

【摘要】：中国钢琴改编曲作为中国钢琴艺术中不可缺少的一个重要组成部分，正受到国内学术界乃至世界乐坛越来越多的关注。由器乐曲改编的中国钢琴曲素以浓郁的民族韵味、鲜明的时代特征和深刻的美学内涵打动每一位听者，在国际乐坛上也具有一定的影响力，可谓是中国钢琴改编曲中的佼佼者。本论文以由器乐曲改编的中国钢琴曲作为研究对象，从四个方面展开论述：第一部分介绍了我国钢琴音乐近90年的发展历史，将中国钢琴音乐的创作分为四个阶段：(一) 20世纪初——20年代，中国钢琴作品的萌芽阶段。(二) 20世纪30——40年代，中国钢琴作品的成长阶段。(三) 20世纪50年代——70年代，，中国钢琴作品的繁荣阶段。(四) 20世纪80年代以后至今，中国钢琴作品的成熟阶段。本论文简要地介绍了每一个发展阶段中的优秀作品，并进行了分类归纳。第二部分从两个方面论述了由器乐曲改编的中国钢琴曲的概貌：(一) 论述中国钢琴改编曲产生的历史背景、原因及发展；(二) 分类分析由器乐曲改编的中国钢琴曲。本论文将由器乐曲改编的中国钢琴曲分为两类，分别以两种不同演奏形式的作品为例进行分析：1、基本选用原曲结构：A、由民族独奏器乐曲改编的中国钢琴曲；B、由民族器乐合奏曲改编的中国钢琴曲。2、变化结构发展音乐形象：A、由民族独奏器乐曲改编的中国钢琴曲；B、由民族器乐合奏曲改编的中国钢琴曲。每一首作品都从调式调性、曲式结构、创作特征、表现内容等方面，对民族器乐曲及改编后的钢琴曲进行了细致地分析，指明了二者的联系与区别。第三部分论述了由器乐曲改编的中国钢琴曲的演奏技法，从六个方面总结了用钢琴模仿民族器乐的音色和民族器乐的演奏技法的技术课题：(一) 装饰音的演奏：1、倚音的演奏；2、颤音的演奏；3、波音的演奏；(二) 琶音的演奏；(三) 经过句的演奏；(四) “线性旋律”的演奏；(五) 模仿传统乐器音色的演奏；(六) 踏板的运用。第四部分从五个方面论述了由器乐曲改编的中国钢琴曲的意义：(一) 人们对于中国钢琴改编曲认识、观念方面有意义的变化；(二) 由器乐曲改编的中国钢琴曲存在的价值；(三) 由器乐曲改编的中国钢琴曲的社会功能；(四) 国际音乐界对由器乐曲改编的中国钢琴曲的肯定、认可；(五) 由器乐曲改编的中国钢琴曲的发展前景。
[Abstract]:As an indispensable part of Chinese piano art, Chinese piano adaptation is being paid more and more attention by domestic academic circles and even the world music circle. The Chinese piano music adapted from instrumental music has a strong national flavor, distinct characteristics of the times and profound aesthetic connotations to impress every listener, and also has a certain influence in the international music world. It can be said to be the best in the Chinese piano music adaptation. This thesis takes the Chinese piano music adapted from instrumental music as the research object and discusses it from four aspects: The first part introduces the development history of Chinese piano music in the past 90 years, and divides the creation of Chinese piano music into four stages: (1) the beginning of the 20th century and the early 1920s, the embryonic stage of Chinese piano works. (2) the growing stage of Chinese piano works in the 1930s and 1940s. (3) in the 1950 s-70 s, Chinese piano works flourished. (4) the mature stage of Chinese piano works since 1980's. This paper briefly introduces the excellent works in each stage of development and classifies them. The second part deals with the historical background, causes and development of the Chinese piano music adapted from instrumental music from two aspects: (1) the historical background, the reasons and the development of the Chinese piano adaptation. (2) the classification and analysis of the Chinese piano music adapted from the instrumental music. In this paper, the Chinese piano music adapted from instrumental music is divided into two categories. Taking two different forms of performance as examples, respectively, the author analyzes the original music structure: 1: A., the Chinese piano music adapted from the national solo instrumental music, the Chinese piano music adapted from the national instrumental ensemble, and the Chinese piano music. 2, the development of the changing structure. Music image: a, Chinese piano music adapted from national solo instrumental music, and Chinese piano music adapted from national instrumental ensemble. Every work analyzes the national instrumental music and the adapted piano music in detail from the aspects of modulation, musical structure, creative features and performance content, and points out the connection and difference between the two. The third part discusses the performance techniques of Chinese piano music adapted from instrumental music. From six aspects, this paper sums up the technical task of using piano to imitate the timbre of national instrumental music and the technique of playing national instrumental music. The technical task is: (1) the playing of decorative sound: 1: 1, the playing of leaning sound (2), the playing of tremolo (3), the playing of Boeing (2) the playing of arpeggios (2) the playing of arpeggios. (4) playing "linear melody" (5) imitating the timbre of traditional musical instruments and (6) the use of pedals. The fourth part discusses the meaning of Chinese piano music adapted from instrumental music from five aspects: (1) people's understanding of Chinese piano adaptation. Significant changes in concept (2) the value of the existence of Chinese piano music adapted from instrumental music (3) the social function of Chinese piano music adapted from instrumental music (4) the affirmation by the international music community of the Chinese piano music adapted from instrumental music, Recognition of the development prospects of Chinese piano music adapted from instrumental music.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J647

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