从哲学辨证的视角审视奏鸣曲式的发展

发布时间：2018-06-01 19:29

本文选题：奏鸣曲式 + 哲学辩证法　；参考：《河北师范大学》2011年硕士论文

【摘要】：奏鸣曲式是从古典主义时期到二十世纪的音乐形式或曲式设计的最重要的原则。从哲学辩证的视角审视奏鸣曲式,笔者发现,奏鸣曲式体现了哲学思维观,比如事物的发展总是包括主要矛盾(主部)和次要矛盾(副部),事物总是不断发展变化的(材料的展开发展变化,调式调性的对比、扩张、变化和统一,矛盾双方即对立又统一(主部、副部、结束部),事物的发展呈螺旋式上升(呈示部、发展部、再现部)等,所以,奏鸣曲式能体现事物发展变化的整个过程,能够体现事物的不同的侧面,能够体现作曲家对事物最为深刻、丰富的思考,能够表现戏剧的、史诗般的、悲剧性的,等等复杂的文化内容和情绪变化。在研究过程之中,笔者立足于音乐本体分析,主要针对巴洛克后期至维也纳古典音乐时期的器乐作品,并通过实证研究证明了关于奏鸣曲体现哲学辩证观念假设判断。
[Abstract]:Sonata form is the most important principle of music form or form design from classicism period to 20 th century. Examining the sonata form from the philosophical dialectical angle, the author finds that the sonata form embodies the philosophical thinking view. For example, the development of things always includes the principal contradiction (main part) and secondary contradiction (secondary part), things are always developing and changing (the development of materials, the contrast, expansion, change and unification of the mode of adjustment), The two sides of the contradiction are both opposite and unified (the main part, the secondary part, the end part, etc.), and the development of things takes on a spiral (presentation, development, reproduction), etc. Therefore, the sonata form can reflect the whole process of the development and change of things. It can reflect the different aspects of things, the composer's most profound and rich thinking about things, the dramatic, epic, tragic, and so on complex cultural content and emotional changes. In the research process, the author based on the analysis of music Noumenon, mainly aimed at the instrumental music works from the late Baroque to the classical music period of Vienna, and proved the hypothesis judgment about the sonata to reflect the philosophical dialectical idea through the empirical research.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J614.3

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