浅谈乔治.罗奇伯格的《第三弦乐四重奏》

发布时间：2018-06-02 07:46

本文选题：罗奇伯格 + 第三弦乐四重奏　；参考：《音乐创作》2014年12期

【摘要】：二十世纪美国作曲家罗奇伯格是一位广为人知的当代作曲家。他创作的作品风格多样并得到广泛传播。像二十世纪许多作曲家一样,罗奇伯格的音乐创作集中体现了那个时代的特征:传统、现代交织在一起并不断去探寻新的风格。本文拟通过对其创作于1971年的作品《第三弦乐四重奏》的分析来探讨关于二十世纪中后叶西方音乐发展潮流中后现代主义背景下这部作品的重新解读,进而探讨转变分析方法赋予作品的新意的意义。
[Abstract]:Rochberg, an American composer of the twentieth century, is a well-known contemporary composer. His works are of various styles and are widely disseminated. Like many composers of the twentieth century, Rochberg's musical creation epitomizes the characteristics of that era: tradition and modernity intertwine and seek new styles. Through the analysis of his work "the third string Quartet", which was written in 1971, this paper attempts to discuss the reinterpretation of this work under the background of postmodernism in the development trend of western music in the middle and late 20th century. Then it discusses the significance of the new meaning given to the works by the transformation analysis method.
【作者单位】：晓庄学院音乐学院;
【分类号】：J605

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