西方先锋派音乐不确定性特征的美学研究

发布时间：2018-06-06 04:15

本文选题：先锋派音乐 + 不确定性特征　；参考：《清华大学》2004年硕士论文

【摘要】：西方先锋派音乐在20世纪音乐史上留下了色彩缤纷的印迹。本文研究的先锋派音乐是特指1945年前后产生的带有实验特征的一系列音乐流派,并择取这一时期音乐形态中的不确定性特征进行美学研究。本文结合先锋派音乐的基本技法与形式,在美学层面进行深入研究。首先对于音高、时值、曲式、物质载体、演出手段等音乐要素结合音乐作品进行分析,明确不确定性特征在先锋派音乐中的实现。在此基础上,结合先锋派艺术、后现代主义文化、消费文化等理论,挖掘西方先锋派音乐不确定性创作手法的深层美学内涵。在传统意义上,不确定性特征的音乐是不具备作品完整性、封闭性等形式规范的,但从其社会功能、创作诉求等角度深究,它是具备“艺术作品”性质的。从最直接的审美感受来看,这类作品具有极端个人化的倾向,不易准确概括出该类作品给人带来的直观感受,但是它们在审美上的不可预知性却是唯一统一的特征。对于这样特殊的艺术创作,深究其创作理念的形成,除了受到二次世界大战的深远影响,西方音乐观念以及现代人文思潮也促使它不断尝试摆脱传统理性的束缚,走出一条反理性的道路,努力创造一个新的音乐格局。同时,横向对照同时期的其它各个艺术门类,不确定性特征不仅仅存在于音乐领域,更加广泛的流行于视觉艺术等范畴内,并且这些艺术互相渗透,互相影响,由此证明此特征在先锋派艺术中是具有普遍意义和研究价值。本论文的创新之处,除了结合具体音乐作品的形式技法来研究美学内涵,在对于不确定性特征的社会文化评价上,不同于一般文献简单否定的态度,而是从机械复制等角度挖掘其内在矛盾,并进一步研究此类艺术的消亡原因,以及对后世影响等问题,用辩证的方法对不确定性美学特征的社会文化价值进行了分析,并且积极地肯定了这一创作理念的存在意义。
[Abstract]:Western avant-garde music left a colourful imprint in the music history of the 20 th century. The avant-garde music studied in this paper refers to a series of musical schools with experimental characteristics produced before and after 1945, and chooses the uncertain characteristics of music form in this period for aesthetic study. Combined with the basic techniques and forms of avant-garde music, this paper makes an in-depth study on aesthetic level. First of all, the musical elements, such as pitch, time value, music form, material carrier, performance means and so on, are analyzed in combination with music works, and the realization of uncertainty in avant-garde music is clarified. On this basis, combined with the theory of avant-garde art, post-modernism culture and consumption culture, the author explores the deep aesthetic connotation of the creative techniques of western avant-garde music uncertainty. In the traditional sense, the music with uncertain features does not have the form of integrity and closeness, but it has the nature of "works of art" from the point of view of its social function and creative appeal. From the most direct aesthetic feeling, this kind of works has the tendency of extreme individualization, it is not easy to summarize the intuitionistic feeling that this kind of work brings to people accurately, but their unpredictability in the aesthetic is the only unified characteristic. In addition to the profound influence of World War II on the formation of such a special artistic creation, Western musical ideas and modern humanistic thoughts have also prompted it to continue to try to get rid of the shackles of traditional rationality. Walk out of an anti-rational road, and strive to create a new music pattern. At the same time, compared with other art categories of the same period, uncertainty features not only exist in the field of music, but also become more popular in the field of visual art, and these arts permeate each other and influence each other. This proves that this feature is of universal significance and research value in avant-garde art. The innovation of this paper, besides combining the formal techniques of specific musical works to study the aesthetic connotation, is different from the simple negative attitude of the general literature on the social and cultural evaluation of the uncertain characteristics. Instead, it excavates its internal contradictions from the angle of mechanical reproduction, and further studies the causes of the extinction of this kind of art and its influence on later generations, and analyzes the social and cultural value of the uncertain aesthetic characteristics with dialectical methods. And positively affirmed the existence significance of this creation idea.
【学位授予单位】：清华大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J601

【引证文献】