泛音歌唱研究在西方

发布时间：2018-06-09 02:10

本文选题：泛音歌唱 + 呼麦　；参考：《中央音乐学院学报》2010年02期

【摘要】：20世纪70年代以来,源于亚洲腹地的呼麦逐渐被西方世界所熟知。在随后的传播与发展过程中,以欧美为主的西方世界不仅在学术领域对呼麦进行了全面且深入的研究,众多音乐家、作曲家以及笃信声音治疗功效的新世纪运动者们还在泛音歌唱的表演、创作、教学、精神灵性运用方面进行了大量实践,发展出有别于东方传统的"泛音歌唱"知识与应用体系。笔者从近40年来西方的相关研究文论入手,试图探究泛音歌唱在西方语境中所具有的多重面向与意义。
[Abstract]:Since the 1970 s, the hinterland of Asia has been known in the West. In the subsequent communication and development process, the Western world, mainly in Europe and the United States, not only carried out a comprehensive and in-depth study of Homei in the academic field, many musicians, Composers and new century campaigners who believe in the efficacy of sound therapy have also carried out a great deal of practice in the performance, creation, teaching, and spiritual use of pantomime singing. Develop the knowledge and application system of "overtone singing" which is different from the oriental tradition. The author tries to explore the multi-aspect and significance of overtone singing in the western context from the perspective of western literary theories in the past 40 years.
【作者单位】：上海音乐学院;
【分类号】：J607

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