斯特拉文斯基《七重奏》复调技法研究

发布时间：2018-06-15 12:29

本文选题：斯特拉文斯基 + 七重奏　；参考：《哈尔滨师范大学》2012年硕士论文

【摘要】：斯特拉文斯基，伊戈尔·费奥多罗维奇（Stravinsky，Igor Feodorovich)，是一位在20世纪给予音乐以巨大影响、产生了积极推动作用的俄罗斯作曲家。他在音乐中的最大贡献是开辟了一个全新的领域，其中涉及节拍上的不平衡、不断变化的节奏、极不协合的和弦的运用、以及推陈出新的配器法等。他对二十世纪的音乐产生非常深远的影响。他的作品——《七重奏》是其前期创作中惟一的一部纯器乐套曲。作于1952-1953年，献给敦巴顿橡树园图书馆，于1954年1月首演。乐器编制为：小提琴、中提琴、大提琴、钢琴、单簧管、圆号、大管。全曲由三个乐章组成，第一乐章：奏鸣曲式；第二乐章：帕萨卡里亚；第三乐章：吉格舞曲。在《七重奏》这部作品中运用大量的复调技法。第一乐章，，奏鸣曲式这一部分主要运用对比复调和模仿复调。第二乐章，运用了古老的舞曲体裁——帕萨卡里亚，不同声部在结合方式上主要运用模仿复调的手法。第三乐章，运用了复调写作的最高形式——赋格。单主题赋格、二重赋格并用，模仿、卡农等复调技法得到了广泛深入的应用。通过对斯特拉文斯基《七重奏》乐谱的分析及对相关文献的阅读与整理，从作者的生平、创作历程以及曲式结构、复调技法、配器手法等角度来分为四个章节进行论述。在绪论中主要针对本论题的目的和意义、范围以及国内外的研究现状，存在的问题以及如何解决等相关问题进行阐述与研究。第一章着重介绍斯特拉文斯基的生平、创作历程以及《七重奏》的创作背景；第二章从复调技法——对比复调、模仿复调，以及赋格的应用等方面解读《七重奏》，并对总谱进行全面分析。第三章主要从复调技法的特征对《七重奏》进行归纳总结，并结合二十世纪重要的序列技法做进一步分析，并对从这部作品中得到的启示与思考进行说明。
[Abstract]:Stravinsky, Igor Feodorovichki, Igor Stravinsky, is a Russian composer who gave great influence to music in the 20th century and played an active role in promoting it. His greatest contribution to music is the opening up of a whole new field involving rhythmic imbalances, changing rhythms, the use of highly discordant chords, and the introduction of new orchestration. He had a very profound influence on the music of the twentieth century. His work, Quintet, is the only pure instrumental ensemble in his early creation. Written in 1952-1953, dedicated to the Dumbarton Oaks Library, premiered in January 1954. Instruments are: violin, viola, cello, piano, clarinet, horn, tubules. The whole song consists of three movements: the first movement: sonata; the second movement: Pasacaria; the third movement: jig. A large number of polyphonic techniques are used in the work of the Quintet. The first movement, sonata form this part mainly uses the contrast polyphony and the imitation polyphony. The second movement, using the old dance genre-Pasakaria, different parts in the combination of the main use of polyphonic imitation techniques. The third movement uses the highest form of polyphonic writing-fugue. Single-theme fugue, double fugue, imitation, Canon and other polyphonic techniques have been widely used in depth. Based on the analysis of Stravinsky's musical score and the reading and arrangement of relevant documents, the author is divided into four chapters from the aspects of the author's life, creation process, musical structure, polyphonic technique and orchestration. In the introduction, the purpose and significance of this topic, its scope, the current research situation at home and abroad, the existing problems and how to solve the related problems are expounded and studied. The first chapter mainly introduces Stravinsky's life, writing history and the background of "Seven Quintet", the second chapter compares polyphony technique, imitates polyphony, As well as the application of fugue and other aspects of the interpretation of the Seven Quartet, and a comprehensive analysis of the total spectrum. In the third chapter, the quintet is summed up from the characteristics of polyphonic techniques, and the important sequential techniques of the 20th century are further analyzed, and the enlightenment and reflection obtained from this work are explained.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J614.2

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