作曲家莫扎特的二重文化身份研究

发布时间：2018-06-19 04:04

本文选题：作曲家 + 莫扎特　；参考：《福建师范大学》2011年硕士论文

【摘要】：马克思指出“演员对于观众来说,是艺术家,然而对自己的企业主来说,是生产工人。”由此可以明显的看得到马克思关于“文艺的产品化,使文艺家身份也双重化了”的基本观点；莫扎特作为艺术家,从艺术品的精神文明传播角度,其艺术产品既陶冶了当代的文化心灵,同时承载了历史文化与人民心声的精神文明,并将永远伴随着人类社会的发展生生不息;然而莫扎特作为艺术品的生产工人,精神文化产品的主要创造者,他承担着用音乐语汇的手段来对社会信息进行艺术加工,用音乐与戏剧浓缩了历史发展进程中的社会文化信息,传承了人文世界中不朽的文化遗产与艺术精神；由此,作曲家莫扎特他以两种文化身份矗立在音乐文化现象中,不论是当时的轰动还是今时明日的永垂不朽,都为人类的文明增添不可磨灭的共时性与历时性并存的社会涵义。本文的选题角度是在马克思艺术理论的辩证思维引导下,选定以莫扎特的两种社会身份(音乐文化身份,社会文化身份)为研究对象,以作曲家迄今仍颇经典的典型歌剧作品《费加罗的婚礼》为例证,结合作曲家的社会身份地位及其莫扎特年代的社会情景作多方位的论证,探讨其音乐文化与社会文化现象的相互关系。
[Abstract]:Marx pointed out that "an actor is an artist to an audience, but a production worker to his own business owner." From this, we can clearly see Marx's basic view that "the production of literature and art makes the identity of literary and art dual." Mozart, as an artist, from the angle of spiritual civilization transmission of art works, Its artistic products not only edify the contemporary cultural mind, but also carry the spiritual civilization of history, culture and the aspirations of the people, and will always accompany the development of human society. However, Mozart, as a production worker of works of art, The main creator of spiritual and cultural products, he was responsible for the artistic processing of social information by means of musical vocabulary, and condensed the social and cultural information in the course of historical development with music and drama. Inheriting the immortal cultural heritage and artistic spirit of the human world, the composer Mozart stands in the musical cultural phenomenon in two cultural identities, whether it is the sensation of the time or the immortality of the present and tomorrow. Both add indelible synchronic and diachronic social meanings to human civilization. Under the guidance of the dialectical thinking of Marx's art theory, the author chooses Mozart's two social identities (music cultural identity, social cultural identity) as the research object. Taking Figaro's wedding as an example, and combining the social status of the composer and the social scene of Mozart's time, the author makes a multi-directional demonstration, taking the typical opera work "the wedding of Figaro", which is still quite classic, as an example. The relationship between music culture and social cultural phenomenon is discussed.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J605

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