小提琴的乐律学理论与实践

发布时间：2018-06-20 21:55

本文选题：十二平均律 + 纯律　；参考：《西北师范大学》2004年硕士论文

【摘要】： 音乐的乐律学理论有着非常悠久的历史，早在中国的先秦时期，音乐的“律”和天人万象就被认为是有内在联系的事物，而律也一直受到重视和详细的研究与计算。随着科学技术的不断发展、乐器制造技术的不断提高，乐律不仅仅只是数理的计算，它越来越同实际的演奏联系在一起并在理论上指导着我们的演奏。而小提琴作为西方音乐中的“乐器之母”，在人类历史和艺术上是一种永远令人着迷的乐器，所以乐律学理论在小提琴的实际演奏过程中应起什么样的作用，而它又是如何指导小提琴进行演奏的，就成为本文讨论研究的重点。全文共分三章，第一章对小提琴的发展成型及其结构特征做一基本说明。第二章对三种律制进行介绍、比较，并简单介绍了弹性十二平均律(复频弹性十二平均律)的理论。第三章是本文的主体，通过对实际演奏谱例进行律制分析，帮助我们在理论上了解应该如何演奏才可以音准，以符合人们的听觉审美要求。本文通过运用“三律”包括“弹律”来进行实际的演奏指导，虽然在演奏的过程中我们并不可能精确到几分甚至十几音分，但是它从理论上进行了量化、数理化的分析，使我们不仅仅只是知道演奏这个音应该高一点或者应该低一点，而是有了具体的音分值进行理论参照。同时更重要的是想让每一位从事音乐工作、学习包括音乐爱好者了解，乐律学并不是象做算术题一样只是数理化的研究，，它完全可以在我们的实际操作演奏过程中给予我们指导与帮助，并且有了乐律学理论的指导，将更有利于我们对音乐的艺术表现之完成。
[Abstract]:The theory of music law has a very long history. As early as the pre-Qin period in China, the "law" of music and the universal phenomena of heaven and man were considered to be the things with internal connection, and the law was always paid attention to and studied and calculated in detail. With the continuous development of science and technology and the continuous improvement of musical instrument manufacturing technology, music law is not only a mathematical calculation, it is more and more connected with the actual performance and guide our performance in theory. As the "mother of musical instruments" in western music, violin is a kind of musical instrument that is always fascinating in human history and art, so what kind of role should be played by the theory of music law in the actual process of violin playing? And it is how to guide the violin play, become the focus of this discussion. This paper is divided into three chapters. The first chapter describes the development and structure of violin. In the second chapter, three kinds of laws are introduced and compared, and the theory of elastic twelve mean law (complex frequency elastic twelve average law) is introduced briefly. The third chapter is the main body of this paper, through the analysis of the actual performance spectrum examples, it helps us to understand theoretically how to play in order to meet the aesthetic requirements of people's hearing. Through the use of "three laws" including "playing law" to guide the actual performance, although in the process of performance we can not be accurate to a few minutes or even a dozen notes, but it is theoretically quantitative, physical and chemical analysis. So that we not only know that playing this note should be a little higher or lower, but have a specific score for theoretical reference. At the same time, what is more important is to let everyone do music work, learning includes music lovers understand that music law is not just like doing math, physics and chemistry research. It can give us guidance and help in the course of our actual operation and play, and with the guidance of the theory of music law, it will be more conducive to the completion of our artistic expression of music.
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J622.1

【参考文献】