明代“古乐”之论对曲论之影响

发布时间：2018-06-25 11:10

本文选题：明代 + “古乐”之论　；参考：《求索》2010年07期

【摘要】："古乐"之论即为儒家继承上古雅乐,使乐具有"先王之治"、"教化之功"之理论,"乐"的标准在于合乎上古律吕。"古乐"之论是我国古代中央政权为标榜自身的"正统"地位而采用的官方乐论,历代王朝往往根据这一理论来组织"礼乐"教化。"古乐"之论作为明代官方意识形态的一部分,贯穿明朝始终。但是,明代保守文人长期排斥属于"俗乐"、"今乐"范畴的曲体文学以及戏曲活动,使曲处于一个被压制的状态。然在"古乐"之论崇正、复古取向的影响下,明代曲论向"古乐"之论趋近,明人将曲与"古乐"的关系定位为传承关系,以《诗经》为曲体文学的源流,提高了曲在文学上的地位,从而弱化了"古乐"之论对曲学的钳制作用。
[Abstract]:The theory of "ancient music" is that the Confucian inherits the ancient elegant music, so that music has the theory of "the rule of the first king" and "the achievement of enlightenment". The standard of "music" is to conform to the law of the ancient times. " The theory of "ancient music" is the official music theory adopted by the central government in ancient China to boast its "orthodox" status, according to which successive dynasties often organized "rites and music" enlightenment. " As part of the official ideology of Ming Dynasty, the theory of ancient music runs through the Ming Dynasty. However, for a long time, the conservative literati in Ming Dynasty rejected the genre literature and opera activities in the category of "popular music" and "present music", which made the music in a state of suppression. However, under the influence of the theory of "ancient music" and the retro orientation, the music theory of the Ming Dynasty approached the theory of "ancient music". The Ming people positioned the relationship between the song and the "ancient music" as the inheritance relationship, and took the Book of songs as the source and stream of the classical literature. It improves the position of music in literature and weakens the role of the theory of "ancient music" in the study of music.
【作者单位】：南京大学影视戏剧研究所;
【分类号】：J609.2

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