大提琴协奏曲《嘎达梅林》对“民族化”的阐释

发布时间：2018-06-25 13:43

本文选题：大提琴 + 嘎达梅林　；参考：《河南大学》2012年硕士论文

【摘要】：蒙古族长篇叙事民歌《嘎达梅林》是我国蒙古族叙事民歌中重要的一部作品，它真实地反映了20世纪上半叶被军阀侵占土地的牧民们为了保卫自己的草原和牧场，在嘎达梅林的带领下与强恶势力斗争的事件，起义最终失败，嘎达梅林也英勇牺牲，但是嘎达梅林拖延了放荒的时间，最终还是为牧民们争取到了草原。人们为了纪念这位英雄，便用叙事歌的形式传唱嘎达梅林的英勇事迹。1950年，叙事诗《嘎达梅林》经过翻译、整理刊登在《人民文学》上，从此，这首脍炙人口的民歌声名鹊起，先后被改编成声乐、器乐等多种体裁的音乐作品。本文通过对大提琴协奏曲《嘎达梅林》的研究，概括总结出了这部由中国民歌而改编的西洋器乐曲独特的艺术特征，作品较多地运用了蒙古族的音乐元素，是中西音乐融合的成功作品，也是众多民歌器乐化的优秀作品之一。通过对独奏乐器大提琴的具体演奏技法进行分析，从形式及内容上介绍了大提琴这一西洋乐器在演奏中国民族器乐曲时是如何运用乐器本身的演奏特点从而与音乐相融合。最后，文章通过对作品的分析与研究，总结出这部作品所表现的文化审美内涵，并试图在作品中找到与之相匹配的音乐元素，从而总结出大提琴民族化创作的几个特点，，并结合西洋音乐“民族化”的历程，提炼出作者的观点和建议。
[Abstract]:The Mongolian long narrative folk song "Gadamelin" is an important work in the Mongolian narrative folk songs in China. It truly reflects the herdsmen who were invaded by warlords in the first half of the 20th century in order to defend their grasslands and pastures. The uprising, led by Gadamelin, failed, and Gadamelin died bravely, but Gadamelin delayed the release of the land and eventually won over the grasslands for herdsmen. In order to commemorate the hero, people use the form of narrative songs to sing the heroic deeds of Gadamelin. In 1950, the narrative poem "Gadamelin" was translated and published in the people's Literature. Since then, this popular folk song has become famous. Has been adapted into vocal music, instrumental music and other genres of music. Based on the study of Cello Concerto "Gadamelin", this paper summarizes the unique artistic features of the western instrumental music, which is adapted from Chinese folk songs, and makes more use of Mongolian musical elements. It is a successful combination of Chinese and Western music, and one of the best works of folk music. Based on the analysis of the specific playing techniques of the solo cello, this paper introduces how the cello, a Western musical instrument, uses the characteristics of the instrument itself to merge with the music when it plays the Chinese national instrumental music in form and content. Finally, through the analysis and research of the work, the article summarizes the cultural aesthetic connotation of this work, and tries to find the corresponding music elements in the work, thus summarizes several characteristics of the cello nationalization creation. Combined with the course of "nationalization" of western music, the author's viewpoints and suggestions are extracted.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J622.3

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