巴赫第六《勃兰登堡协奏曲》中提琴声部结构与演奏分析

发布时间：2018-06-27 09:08

本文选题：巴赫 + 中提琴　；参考：《西安音乐学院》2012年硕士论文

【摘要】：巴赫是音乐历史上一个重要的人物，是巴洛克时期音乐创作的重要代表人物。在音乐的创作中，巴赫把多种创作技巧融合在一起，创作了很多的作品，为后世留下了宝贵的财富。作为演奏者来说，音乐结构的分析对提高演奏水平，了解作曲家创作背景是很有必要和帮助的，巴赫既是一位作曲家，也是一位演奏家，所以对巴赫的作品分析，就显得更加重要了。本文以巴赫《勃兰登堡协奏曲》的第六首作品为研究对象，对作曲家的生平，创作背景，曲式结构，演奏角度进行分析，从个人演奏角度出发，对全曲进行结构与演奏两方面的分析，从美学原则入手，更全面的弥补个人观点中的不足，使演奏者更加深入的去了解剖析该作品。该作品是早期一部十分重要的中提琴音乐作品，具有很重要的演奏意义及研究意义，对于早期为数不多的中提琴作品，敢于把中提琴作为主要旋律声部，并且作为独奏乐器来写的协奏曲，实在是一个大胆的尝试与创新。这是一部标准的三个乐章的作品，具有典型的巴洛克时期协奏曲的特点快-慢-快，结构上比较单一，和声上，巴赫有一定的创新，但和声的发展水品有限，在复调创作中，运用了大量的复调创作的手法，典型的有卡农、利都奈等。从整体看这部作品，布局严谨，条理性非常清晰。这部《第六勃兰登堡协奏曲》是由巴赫首演。在巴洛克时代，由于乐器的发展没有当今时代的这么优越，这么科学，所以作品的演奏技术方面存在一定的局限性。当今，演奏这部作品，多以接近模仿巴洛克时代的声音为主，简化技术的帮助。对左手与右手的技术处理方面分别进行分析，在左手方面，从触弦，揉弦等几方面来分析，右手方面，，以运弓的特点与把握性为主，和特有的悠弓弓法等几方面分别说明，借助美学思想对巴赫音乐作品中特有的音乐哲学语言进行阐述，帮助演奏者在演奏练习时条理性更清晰，练习目的更加明确。
[Abstract]:Bach is an important figure in the history of music and an important representative of music creation in Baroque period. In the creation of music, Bach combined a variety of creative skills and created a lot of works, leaving a valuable wealth for later generations. As a performer, the analysis of music structure is very necessary and helpful to improve the performance level and understand the background of composer's creation. Bach is not only a composer but also a performer, so he analyzes Bach's works. It's all the more important. This article takes the sixth work of Bach's Brandenburg Concerto as the research object, analyzes the composer's life, creation background, composition structure, performance angle, and sets out from the angle of individual performance. This paper analyzes the structure and performance of the whole song, starting with the aesthetic principles, making up for the deficiency of the individual viewpoint more comprehensively, so that the performer can understand and analyze the work more deeply. This work is a very important early viola music work, has very important playing significance and research significance, for the early few viola works, dare to regard the viola as the main melody voice, And as a solo instrument to write the concerto, it is a bold attempt and innovation. This is a standard three-movement work, with the typical Baroque Concerto features fast-slow-fast, relatively simple structure, in harmony, Bach has some innovation, but the development of harmony water products are limited, in the polyphony creation, The use of a large number of polyphonic techniques, typical of Canon, Lidoune and so on. From the overall view of the work, the layout is rigorous, organized very clear. The sixth Brandenburg Concerto was premiered by Bach. In the Baroque era, the development of musical instruments is not so superior and scientific, so there are some limitations in the playing technology. Today, the performance of this work, close to imitation of the Baroque era of the voice of the main, simplified technology to help. The technical treatment of the left hand and the right hand are analyzed respectively. In the left hand, the chord is touched, the kneading string is analyzed, and the right hand is mainly characterized by the characteristics and grasp of the bow, as well as the unique method of the bow, and so on. With the help of aesthetic thought, the unique musical philosophy language in Bach's musical works is expounded, which helps the performer to be more organized and clear in playing practice and to make the purpose of practice more clear.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J622.2

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