和弦的产生及音响结构形态

发布时间：2018-06-28 03:41

本文选题：复调 + 和声　；参考：《黄钟(中国.武汉音乐学院学报)》2014年02期

【摘要】：在欧洲,复调音乐的长期实践过程中,当纯律小三度及大六度的对位协和音程应用时,听觉上实际得到的不仅是对位音程的两个基音音响,还有这两个基音内含的两个谐音列,相互之间谐振而产生的上、下两个结合音列的音响。正是这些隐含的结合音音响,当听觉要求它们从后台再现到前台时,就相继产生了各种和弦形式。以往有关和弦的产生和功能属性等方面的认知,是欧洲音乐实践和创作中逐渐形成理论的基础,它们也仅是由创作经验感悟产生的结果,它应隶属于主观评价的一些方面。我们现在已可从上、下两个结合音列的音响分析中,找到它客观音响形态结构的理论科学依据。
[Abstract]:In Europe, in the long practice of polyphonic music, when the consonant acoustics of three degrees and six degrees of pure rhythm are applied, the actual hearing results are not only the two pitch sound of the opposite pitch, but also the two homophonic sequences contained in the two pitch sounds. The sound of the next two associative lines produced by resonance between each other. It is these implied associative sounds that produce chords in succession when hearing requires them to be reproduced from the background to the foreground. In the past, the cognition of the origin and functional attributes of chords is the basis of the gradual formation of the theory in European music practice and creation, and they are only the result of the experience of creation, which should belong to some aspects of subjective evaluation. We can now find the theoretical scientific basis of its objective sound form structure from the sound analysis of the upper and the next two associative sound sequences.
【作者单位】：武汉音乐学院;
【基金】：湖北省教育委员会科学研究计划资助项目《和声的声学基础》中的部分研究成果在此发表的
【分类号】：J614.2

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