18世纪欧洲音乐与“中国热”

发布时间：2018-07-04 22:36

本文选题：18世纪 + 欧洲音乐　；参考：《河南大学》2004年硕士论文

【摘要】： 本文探讨的主要内容是18世纪欧洲“中国热”背景下，欧洲音乐的面貌以及欧洲音乐与“中国热”的关系。本文的写作以史料为基础，运用和借鉴音乐理论分析、音乐历史学、音乐文化学、音乐社会学、音乐传播学、比较音乐学等多学科研究方法，对18世纪欧洲音乐中的“中国热”，包括对于中国音乐的介绍和与中国相关的欧洲音乐创作以及“中国热”浪潮中洛可可音乐风格的形成进行了历史描述，并进一步对其中所存在的文化现象进行分析、研究。全文共分为四个部分：一、中欧文化交流的历史描述。主要通过对约1世纪到18世纪中欧文化交流的历史描述，说明18世纪“中国热”形成的历史根源。二、18世纪欧洲音乐中的“中国热”。作为欧洲18世纪“中国热”的一部分，音乐领域对于中国的关注也大量存在，体现在大量有关中国音乐的著作、译作，对中国曲调的介绍，对中国乐器的介绍等，还有与中国相关的大量欧洲音乐作品。此部分即是以上内容的概括介绍。三、洛可可音乐风格与18世纪“中国热”。此部分对洛可可音乐风格的形成作了介绍，，并且初步提出一个观点：伴随着“中国热”出现的中国艺术风格在一定程度上影响到了洛可可音乐风格的形成。四、文化分析。对于音乐领域中的“中国热”和洛可可音乐风格形成的历史文化背景作分析之后，认为法国文化的影响在二者的形成过程中居于中心地位。随后，对于二者形成过程中各具特色的文化现象进行分析。认为中国音乐在西传欧洲的过程中存在着文化误读和文化利用两种文化现象；中国艺术风格对于洛可可风格的影响主要体现在中国工艺品和中国园林的影响，与中国音乐本体相关不大。本文的结论是：18世纪“中国热”对这个时期的欧洲音乐面貌影响是巨大的，但也要认识到欧洲人所认识到的中国音乐文化的片面性和失真性，以及中国文化以一种间接的方式影响到洛可可音乐风格的形成，即中国工艺品和中国园林所体现的中国艺术风格的间接影响，而不是中国音乐本体的直接影响。
[Abstract]:The main content of this paper is the appearance of European music and the relationship between European music and "Chinese craze" under the background of European "China fever" in the 18th century. On the basis of historical data, this paper applies and draws lessons from music theory analysis, music history, music culture, music sociology, music communication, comparative musicology, and other multidisciplinary research methods, such as music history, music culture, music sociology, music communication, comparative musicology, etc. This paper describes the "Chinese craze" in European music in the 18th century, including the introduction of Chinese music, the creation of European music related to China, and the formation of rococo music style in the wave of "China fever". And further analysis and study of the cultural phenomenon. The full text is divided into four parts: first, the historical description of China-EU cultural exchange. Through the historical description of the cultural exchanges between China and Europe from the first century to the 18th century, the historical origin of the formation of "China fever" in the 18th century is explained. The "Chinese craze" in European music in the 18 th century. As part of the 18th century "China craze" in Europe, there is also a great deal of attention to China in the field of music, which is reflected in a large number of books, translations, Chinese tunes, Chinese musical instruments, and so on. There is also a great deal of European music related to China. This section is a summary of the above content. Third, rococo music style and the 18 th century "China craze". This part introduces the formation of rococo music style, and puts forward a preliminary point of view: with the emergence of "China fever", the Chinese artistic style affects the formation of rococo music style to a certain extent. Fourth, cultural analysis. After analyzing the historical and cultural background of "China fever" and the formation of rococo music style in the field of music, it is concluded that the influence of French culture plays a central role in the formation of both. Then, the cultural phenomenon with its own characteristics in the process of their formation is analyzed. It is believed that there are two cultural phenomena in the process of Chinese music spreading westward in Europe: cultural misreading and cultural utilization, and the influence of Chinese artistic style on rococo style is mainly reflected in the influence of Chinese handicrafts and Chinese gardens. And Chinese music Noumenon is not relevant. The conclusion of this paper is that the "China fever" in the 18th century has a great influence on the European music of this period. But it is also important to recognize the one-sidedness and distortion of Chinese music culture, as well as the indirect influence of Chinese culture on the formation of rococo's musical style, That is, the indirect influence of Chinese arts and crafts and Chinese gardens on Chinese artistic style, It is not the direct influence of Chinese music itself.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J609.1

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