唐、北宋传今的两首道教经韵考析
发布时间:2018-07-08 11:24
本文选题:道教 + 经韵 ; 参考:《南京艺术学院学报(音乐与表演版)》2010年02期
【摘要】:本文综合运用形态分析、文献稽考和古今互证之法考析当代存活的三首道教经韵,先析其当代运用形态,认为其异同交渗的现象表明其源于共同母体且又有所变异。接着逐一考证其产生年代和传承轨迹,证明它们是在变与不变矛盾运动中传承至今的古老经韵。由此为准确认识道乐保存传统的现状及其历史价值提供新的视角、资料和观点。
[Abstract]:In this paper, the author synthetically uses morphological analysis, the literature examination and the law of ancient and modern mutual proof to analyze the three Taoist rhymes of contemporary survival, first of all, it analyzes its contemporary application form, and points out that the phenomenon of its similarities and differences seepage shows that it originates from the common parent body and has some variation. Then, it is proved that they are the ancient rhyme in the movement of change and invariance. This provides a new perspective, data and viewpoint for the accurate understanding of the status quo and historical value of Taoist music preservation.
【作者单位】: 西南大学音乐学院;浙江师范大学图书馆;
【基金】:2007年国家社科基金项目阶段性成果之一,项目批准号:07BZJ012
【分类号】:J608
【共引文献】
相关期刊论文 前5条
1 王丽英;论早期道教的传播方式[J];北方论丛;2005年05期
2 刘绍云;戒律、家规、国法与中国古代社会的秩序调控[J];理论学刊;2005年10期
3 刘长东;孔子项,
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