都市文化与革命诉求——对1930年代聂耳、黎锦晖音乐观念冲突的审思

发布时间：2018-07-17 16:36

【摘要】：聂耳与黎锦晖在1930年代初的音乐观念冲突,体现了那个时代都市文化发展方向与革命诉求之间的普遍矛盾。这是"五四"以来新文化运动两种力量即改良的进化力量和进步的革命力量交互作用而造成的。它使中国新音乐观念发生了巨大变化,使革命诉求成为决定新音乐乃至整个都市文化发展的主要因素。从美学形态来看,黎锦晖的音乐体现了现代美学形态;聂耳则靠近古典美学形态,是古典美学形态的革命性替换。审思这场冲突所获得的启示是,当代中国都市文化建设必须处理好与时代精神的关系,不能以一成不变的观念理解不同时代精神;当代中国都市文化要渗透时代精神又不能为其所取代;要以反思的姿态弘扬现代美学形态,创造能够体现社会主义和谐社会要求的当代中国都市文化。
[Abstract]:The conflict of musical ideas between Nie Er and Li Jinhui in the early 1930s reflects the general contradiction between the direction of urban culture development and the demands of revolution in that era. This is caused by the interaction between the two forces of the New Cultural Movement since the May 4th Movement, that is, the improved evolutionary force and the progressive revolutionary force. It makes great changes in the concept of new music in China, and makes the revolutionary appeal become the main factor that determines the development of new music and even the whole urban culture. From the point of view of aesthetic form, Li Jinhui's music embodies modern aesthetic form, while Nie Er is close to classical aesthetic form and is a revolutionary replacement of classical aesthetic form. The enlightenment of this conflict is that the construction of contemporary Chinese urban culture must deal well with the relationship with the spirit of the times, and can not understand the spirit of different times with fixed concepts. The contemporary Chinese urban culture should permeate the spirit of the times and cannot be replaced by it. It is necessary to carry forward the modern aesthetic form with the attitude of reflection and to create the contemporary Chinese urban culture which can embody the requirements of the socialist harmonious society.
【作者单位】：上海师范大学都市文化研究中心;曲靖师范学院人文学院;
【分类号】：J609.26

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