辟斯顿组曲《奇妙的长笛手》“新古典主义”音乐观念研究

发布时间：2018-07-18 07:54

【摘要】：沃尔特·辟斯顿(Walter Piston,1894—1976)是20世纪美国杰出的作曲家、音乐理论家和音乐教育家,也是美国新古典主义音乐的代表人物之一。作为音乐理论家,辟斯顿在我国早已闻名久矣。早在1951年,我国就已经出版了辟斯顿的《和声学》中文译本,后又出版了该书的修订本(上海新文艺出版社1951年版和人民音乐出版社1978年版,韦陈宝译),该书对20世纪后半叶学习西方传统和声学体系的人们提供了很大帮助,对我国专业音乐的发展也产生重大影响。但是,对于作曲家的辟斯顿,我国的大部分业余音乐爱好者至今还不太熟悉,他创作的作品在我国流传的很少,然而这并不能遮掩辟斯顿的音乐成就。辟斯顿一生创作了大量音乐作品,涉及到交响曲、协奏曲、室内乐等大型音乐体裁。他的作品既有传统古典主义音乐的痕迹,又蕴含有丰富的地方音乐特色,并运用现代音乐创作技法进行创作,形成了自己独树一帜的音乐风格,对美国专业音乐创作的发展具有巨大的推动作用。芭蕾舞组曲《奇妙的长笛手》是辟斯顿所有音乐作品中演奏最多、最流行的精美绝伦之作,也是他个人风格最典型的代表。1940年,这部组曲在美国首演,并引起巨大轰动,它从此成为美国当代不朽的音乐作品之一。虽然这部作品是辟斯顿早期所作,但它却有着里程碑式的意义,充分体现出辟斯顿传统与现代紧密结合的创作观念。本文主要以《奇妙的长笛手》为研究对象,通过分析这部作品的结构、和声、曲式、旋律、配器等方面的音乐特点,来阐述和揭示辟斯顿的音乐创作理念。全文主体由引言、三个章节、结语五个部分组成。引言部分是关于本课题的学术价值、国内外研究现状、研究思路和方法的陈述。文中指出笔者选择此课题的目的和意义,并对目前此课题在国内外已有的研究成果与不足进行了综述。第一章为简要回顾辟斯顿的生平及芭蕾舞组曲的基本概况。首先介绍了辟斯顿的人生经历、音乐创作方面的成就,而后从创作背景和故事梗概两个方面论述了芭蕾舞组曲的基本概况。第二章对芭蕾舞组曲《奇妙的长笛手》进行全面音乐本体分析,辟斯顿早期创作的芭蕾舞组曲《奇妙的长笛手》是一部有标题、有调性且音乐形象鲜明的典范之作。这部作品是诠释辟斯顿“新古典主义”音乐观念最具代表性的音乐作品,也是我们理解辟斯顿“新古典主义”音乐观念的音乐载体。本章论述了作品音乐结构、配器、和声、旋律、节奏等各个方面的特点,从而总结出这部作品的创作技法特点。第三章是对辟斯顿《奇妙的长笛手》的“新古典主义”音乐观念内涵进行宏观分析。通过第二章对这部作品的全面音乐分析,本章从古典传统的回归、现代音乐语言的运用及音乐观念的来源三个部分对《奇妙的长笛手》的“新古典主义”音乐观念进行全面详细地阐述。结语部分阐述了辟斯顿“新古典主义”音乐观念的影响以及辟斯顿承前启后的历史地位,指出了辟斯顿新古典主义音乐观念对美国乃至世界音乐发展产生的深远影响。文章充分肯定了辟斯顿在音乐发展史上承前启后的历史地位,并力求对辟斯顿有更为全面和深刻的理论认识。
[Abstract]:Walter Piston (Walter Piston, 1894 - 1976) is an outstanding American composer, music theorist and musical educator in the twentieth Century, and one of the representative figures of American neoclassical music. As a musical theorist, it has long been known in China for a long time. In 1951, China had published the "and acoustics > Chinese" in Chinese. A revised edition of the book was published (the 1951 edition of the Shanghai new literature and Art Publishing House and the 1978 edition of the people's music press, Wei Chen Baoyi), which has provided great help to people studying western tradition and acoustics in the latter half of the twentieth Century and has a great influence on the development of professional music in our country. Most amateur music lovers in our country are not so familiar with them so far. His works are very rare in our country. However, it does not cover the musical achievements of bareston. Bareston created a large number of musical works throughout his life, involving symphonies, Concerto, chamber music and other large musical genres. His works have both traditional classical sounds. The trace of music contains rich local music features, and uses modern music creation techniques to create a unique style of music, which has a great impetus to the development of American professional music.
The Ballet Suite "marvelous Flute" is one of the most popular and most popular works among all the music works of the ballet, the most typical representative of his personal style,.1940, which was first played in the United States and caused great sensation in the United States and became one of the immortal works of the United States. However, it has a milestone meaning, which fully embodies the creative idea of the combination of the traditional and modern times. This article mainly takes the wonderful flute as the research object, and expounds and reveals the musical creation idea of the work through the analysis of the musical features of the structure, harmony, melody, melody and orchestration of this work.
The full text consists of five parts: introduction, three chapters, and conclusion.
The introduction is about the academic value of the subject, the present situation at home and abroad, and the presentation of the research ideas and methods. The article points out the purpose and significance of the author's choice of the subject, and summarizes the existing research achievements and shortcomings of the subject at home and abroad.
The first chapter is a brief review of the life of Gaston and the basic outline of the Ballet Suite. First, it introduces the life experience of Gaston, the achievements of music creation, and then discusses the basic outline of the ballet group from two aspects of the background of creation and the outline of the story.
The second chapter has an overall musical ontology analysis of the Ballet Suite "wonderful Flute". The early ballet composition of the ballet, "wonderful Flute", is a masterpiece with a title, a tunable and vivid musical image. This work is the most representative of the musical ideas of the "neo classical" of the ballet. We understand the music concept of "neoclassicism". This chapter discusses the characteristics of the structure, orchestration, harmony, melody and rhythm of the works, and summarizes the characteristics of the creative techniques of this work.
The third chapter is a macroscopic analysis of the connotations of the "Neo classicism" of the musical concept of "marvelous Flute". Through the comprehensive analysis of the music in second chapters, this chapter from the return of classical tradition, the use of modern music language and the source of music concept to the "Neo classicism" of "marvelous Flute". The concept of music is elaborated in a comprehensive and detailed manner.
The concluding part expounds the influence of the music concept of "neoclassicism" and the historical position of the new classical music, and points out the profound influence of the new classical music concept on the development of music in the United States and the world. Strive to have a more comprehensive and profound theoretical understanding of Preston.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J605

【共引文献】