拉赫玛尼诺夫《g小调大提琴与钢琴奏鸣曲》大提琴演奏浅析
发布时间：2018-07-24 19:11
【摘要】：19—20世纪世界局势动荡。这一时期的音乐界各种流派迭起,主义纷呈。谢尔盖·瓦西里耶维奇·拉赫玛尼诺夫(Sergei Vassilievitch Rachmaninoff,1873-1943)作为其中的一位跨世纪的作曲家,在作曲风格上受到了一定程度的影响。主要延续了浪漫主义乐派的风格(手法上也借鉴了塔涅耶夫的复调等其他流派的元素),色彩性创作成为他作品中的一大特点。但“固执”的拉赫玛尼诺夫并没有完全随波逐流,依然保持着“民族”的本色,作品中充满着浓郁的俄罗斯韵味。 拉赫玛尼诺夫是一位优秀的钢琴演奏家、作曲家、指挥家。创作出了人量的优秀作品,其中以钢琴作品的数量居首。与钢琴作品相比较,其室内乐作品可以说屈指可数,而大提琴作品仅仅只有四部,即《大提琴和钢琴浪漫曲》(1890年)、《两部大提琴和钢琴作品》(1892年)与《g小调大提琴与钢琴奏鸣曲》(1901年)。本文通过对拉赫玛尼诺夫《g小调大提琴与钢琴奏鸣曲》的分析,进一步了解拉赫玛尼诺夫的创作手法,并对这部作品及大提琴演奏有更深层次的理解。其中包括：第一章简要介绍拉氏的生平及主要作品。1882年进入圣彼得堡音乐学院学习。十月革命爆发后被迫流离他乡,从此再也没有同到俄国。他的创作深受柴可夫斯基、穆索尔斯基、里姆斯基·科萨科夫等的影响,带有深厚的民族气息。第二章作品分析。拉赫玛尼诺夫以旋律性写作见长,他非常重视旋律在创作中的地位,这也成为他在写作中的一大重点。除此之外,他积极探索和声的色彩性在作品中的应用,并将传统的和声写作与现代和声技法相结合。通过对作品的分析,使人们对作品的理解更加透彻,也对拉赫玛尼诺夫的创作技法有一定的了解。第二章,大提琴演奏解析。笔者通过对这部作品的演奏,分析总结出了在以作品理解的基础上,演奏时应当注意的关键点,如何在不同的乐章、乐段以不同的情绪来演奏。同时,在演奏《g小调大提琴与钢琴奏鸣曲》时与钢琴的配合亦不容忽视。在笔者演奏的过程中,也体会到了合作的重要性和演奏过程中两者需要注意的几个要点。 在本文的研究过程中参考、查阅了大量文献资料和音响资料。通过本文的研究,希望更多的人关注并了解拉赫玛尼诺夫以及大提琴演奏艺术。并且帮助人们在研究或演奏《g小调大提琴与钢琴奏鸣曲》时更好的理解、实践这部作品,并从中体会到钢琴与人提琴配合中的合作关系。
[Abstract]:The world situation was in turmoil from 19 to twentieth Century. There were various schools of music in this period. Sergei Vasilyevich Rachmaninov (Sergei Vassilievitch Rachmaninoff, 1873-1943), as one of the trans century composers, influenced the style of composing to a certain extent. It was the main continuation of the romantic Lord. The style of the Yi music school (as well as the elements of other genres such as Taneyev's polyphony), color creation has become a major feature of his works. But the "stubborn" Rachmaninoff does not complete the flow completely, still maintains the nature of the "nation", and the works are full of strong Russian charm.
Rachmaninoff is an excellent pianist, composer and conductor. He has created excellent works of human quantity, leading the number of piano works. Compared with piano works, his chamber music works can be said to be numbered, and only four cello works, that is, "Cello and Piano romance" (1890), < two big. Viola and piano works > (1892) and
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J624.1
本文编号：2142359
[Abstract]:The world situation was in turmoil from 19 to twentieth Century. There were various schools of music in this period. Sergei Vasilyevich Rachmaninov (Sergei Vassilievitch Rachmaninoff, 1873-1943), as one of the trans century composers, influenced the style of composing to a certain extent. It was the main continuation of the romantic Lord. The style of the Yi music school (as well as the elements of other genres such as Taneyev's polyphony), color creation has become a major feature of his works. But the "stubborn" Rachmaninoff does not complete the flow completely, still maintains the nature of the "nation", and the works are full of strong Russian charm.
Rachmaninoff is an excellent pianist, composer and conductor. He has created excellent works of human quantity, leading the number of piano works. Compared with piano works, his chamber music works can be said to be numbered, and only four cello works, that is, "Cello and Piano romance" (1890), < two big. Viola and piano works > (1892) and
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J624.1
【参考文献】
相关硕士学位论文 前1条
1 洪倩;拉赫玛尼诺夫《g小调大提琴与钢琴奏鸣曲》OP.19钢琴演奏解析[D];中央音乐学院;2010年
，本文编号：2142359
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