从“引进”、“模仿”到“探索”、“创新”——20世纪上半叶中国艺术歌曲发展的历史轨迹
发布时间：2018-08-02 10:52
【摘要】：20世纪上半叶中国艺术歌曲发展的历史轨迹告诉我们：近现代艺术歌曲在融合中西方两种异质文化过程中完成了其在20世纪上半叶的历史形态。从19、20世纪之交的“学堂乐歌”对西方音乐的“引进”；到20年代中国艺术歌曲的产生；再到30年代中国艺术歌曲的举步向前；最后到抗战爆发及其以后艺术歌曲的深化变容。学堂乐歌时期所呈现的是对西方音乐的“引进”；20年代的艺术歌曲则表现为对西方传统的作曲技法的“模仿”；到了30年代，，艺术歌曲的创作价值就体现在对音乐民族化的“探索”；抗战爆发后，中国艺术歌曲就进一步深化变容，不仅有了戏剧性张力的“新质”，而且，吸收、运用了现代创作技法呈现“创新”意识。这个发展轨迹——从“引进”——到“模仿”——到“探索”——再到“创新”的历史过程，彰显了艺术歌曲的发展逻辑。中国艺术歌曲在融合中西方文化进程中，在消化、吸收西方传统创作技法的同时，并没有放弃对民族文化的关注，恰恰是两种异质文化共同建构了20世纪上半叶中国艺术歌曲的历史形态。
[Abstract]:The historical track of the development of Chinese art songs in the first half of the 20th century tells us that modern and modern art songs have completed their historical forms in the first half of the 20th century in the process of merging the two different cultures of China and the West. From the "school music" at the turn of the 20th century to the "introduction" of western music, to the emergence of Chinese art songs in the 1920s, to the Chinese art songs in the 1930s, and finally to the outbreak of the War of Resistance against Japan and the deepening changes of the art songs. During the period of school music, the "introduction" of western music and the artistic songs of the 1920s were shown as "imitations" of the traditional composing techniques of the West; in the 1930s, The creative value of artistic songs is reflected in the "exploration" of the nationalization of music. After the outbreak of the War of Resistance against Japan, Chinese art songs further deepened and changed, not only with the "new quality" of dramatic tension, but also with absorption. Using modern creative techniques to present the consciousness of "innovation". The historical process from "introduction" to "imitation" to "exploration" to "innovation" demonstrates the development logic of art songs. In the process of integrating Chinese and western cultures, Chinese art songs, while digesting and absorbing the traditional creative techniques of the West, did not give up their concern for national culture. It is precisely the two heterogeneous cultures that jointly constructed the historical form of Chinese art songs in the first half of the 20th century.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J609.2
本文编号：2159195
[Abstract]:The historical track of the development of Chinese art songs in the first half of the 20th century tells us that modern and modern art songs have completed their historical forms in the first half of the 20th century in the process of merging the two different cultures of China and the West. From the "school music" at the turn of the 20th century to the "introduction" of western music, to the emergence of Chinese art songs in the 1920s, to the Chinese art songs in the 1930s, and finally to the outbreak of the War of Resistance against Japan and the deepening changes of the art songs. During the period of school music, the "introduction" of western music and the artistic songs of the 1920s were shown as "imitations" of the traditional composing techniques of the West; in the 1930s, The creative value of artistic songs is reflected in the "exploration" of the nationalization of music. After the outbreak of the War of Resistance against Japan, Chinese art songs further deepened and changed, not only with the "new quality" of dramatic tension, but also with absorption. Using modern creative techniques to present the consciousness of "innovation". The historical process from "introduction" to "imitation" to "exploration" to "innovation" demonstrates the development logic of art songs. In the process of integrating Chinese and western cultures, Chinese art songs, while digesting and absorbing the traditional creative techniques of the West, did not give up their concern for national culture. It is precisely the two heterogeneous cultures that jointly constructed the historical form of Chinese art songs in the first half of the 20th century.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J609.2
【引证文献】
相关硕士学位论文 前1条
1 余文博;“新音乐运动”之研究[D];武汉音乐学院;2007年
本文编号：2159195
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