《练习曲7号》和《五首钢琴曲》之浅析—斯特拉文斯基与克拉姆的钢琴音乐语言特征
发布时间：2018-08-08 13:07
【摘要】：本文通过对俄国作曲家伊戈尔·费奥多罗维奇·斯特拉文斯基(lgor Feodro-ovich Stravinsky,1882-1971)的钢琴作品《练习曲7号》和美国作曲家乔治·克拉姆(George Crumb,1929-)的《五首钢琴曲》这两部同为钢琴而作但风格技法极其不同的作品进行技法分析及理论归纳,力图对其技术语言风格进行概括和比较。 论文阐述了两位作曲家的时代特征和文化背景,以及对其音乐创作产生的影响和意义；然后将研究聚焦于上述两部早期作品的作曲技法、创作思维和风格形成。重点在于通过其创作特点的分析和比较,寻求两位作曲家作品中的多重艺术交叉影响之内涵,进一步探讨大师作品散发出的人文与戏剧性魅力。 除此之外,本研究也涉及当代音乐创作中逻辑技法与情感抒发、当代作曲技法与民族文化内涵的关系。笔者期望,本文将为中国当代音乐创作提供可资借鉴的经验,尝试弥补国内有关本论题研究的相对匮乏,并引起关注这一领域的同行的深入研究。
[Abstract]:This paper deals with the piano works "Etudes 7" by Russian composer lgor Feodro-ovich Fyoforovich Stravinsky (1882-1971) and the "five Piano songs" by American composer George Crumb 1929-, both of which are steel. The works with very different styles and techniques were analyzed and summarized theoretically. Try to generalize and compare its technical language style. This paper expounds the characteristics and cultural background of the two composers as well as the influence and significance on their music creation, and then focuses on the composition techniques, creative thinking and style formation of the two earlier works mentioned above. Through the analysis and comparison of their creative characteristics, the emphasis is to seek the connotation of multiple artistic cross influences in the works of the two composers, and to further explore the humanistic and dramatic charm of the works of the masters. In addition, this study also deals with the relationship between logic techniques and emotional expression in contemporary music creation, contemporary composition techniques and the connotation of national culture. The author expects that this paper will provide some useful experience for contemporary Chinese music creation, try to make up for the relative lack of domestic research on this topic, and arouse the in-depth research of peers who pay close attention to this field.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J624.1
本文编号：2171869
[Abstract]:This paper deals with the piano works "Etudes 7" by Russian composer lgor Feodro-ovich Fyoforovich Stravinsky (1882-1971) and the "five Piano songs" by American composer George Crumb 1929-, both of which are steel. The works with very different styles and techniques were analyzed and summarized theoretically. Try to generalize and compare its technical language style. This paper expounds the characteristics and cultural background of the two composers as well as the influence and significance on their music creation, and then focuses on the composition techniques, creative thinking and style formation of the two earlier works mentioned above. Through the analysis and comparison of their creative characteristics, the emphasis is to seek the connotation of multiple artistic cross influences in the works of the two composers, and to further explore the humanistic and dramatic charm of the works of the masters. In addition, this study also deals with the relationship between logic techniques and emotional expression in contemporary music creation, contemporary composition techniques and the connotation of national culture. The author expects that this paper will provide some useful experience for contemporary Chinese music creation, try to make up for the relative lack of domestic research on this topic, and arouse the in-depth research of peers who pay close attention to this field.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J624.1
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