弗兰克室内乐创作的和声语言及技法特征

发布时间：2018-08-10 20:03

【摘要】：弗兰克·赛扎尔是19世纪法国音乐史上享有盛誉的音乐家之一,在他倡导下建立的“法国民族音乐协会”使法国音乐摆脱德奥体系的制约,着力发扬本土音乐。本文通过对他室内乐和声语言的研究,探究其技法特征及风格特点,并试图追寻弗兰克对其后印象派作曲家和声语言的影响。本文以弗兰克创作中、晚期的室内乐作品为研究范围,以其和声语言为研究内容,全文共分为三章论述。第一章对弗兰克和声语言中的基本材料,即调式、和弦的运用进行研究。分别从风格化旋律的调式基础、九和弦、全音阶色彩和弦及其它七和弦的运用方面,进行分析研究,概括其运用和声材料的技法特点。第二章研究弗兰克对和弦进行、即调性陈述形式的处理技巧。分别从变格进行、三度关系的利声进行、调式风格的和声进行、多元化调关系交替、辅助和弦的运用特点等多个方面,进行分析研究,探究其和弦材料相互关系的处理手段,概括其运用和声进行的技法特点。第三章从转调技巧,即调性转换的处理手法进行研究。重点研究弗兰克利用增三和弦、减七利弦作为等和弦转调,以及利用其它较为新颖的转调处理手法,探究弗兰克在调性转换方面的技法特点。通过对弗兰克室内乐作品的和声从微观到宏观的分析研究、归纳总结,我们可以看出,虽然弗兰克的和声语言仍以传统的大小调体系为基础,但作为“法国民族音乐协会”创始人的弗兰克大力推崇发展本民族音乐的创作理念,会明显地反映在他自己的创作中。一方面他采用了调式化的利声语汇丰富自己的作品,使作品富有强烈的色彩性；另一方面,他独辟蹊径拓展传统大小调体系的和声手法,融入个性化的处理技巧,将半音化的和声手法作为主要手段,使得传统的单一调性得以充分扩张。他将传统与创新相结合,形成具有自己个性的创作特征,这些手法对于法国民族音乐的发展,以及对其后印象主义作曲家的创作都所产生了深远的影响。
[Abstract]:Frank Sezar is one of the most famous musicians in the history of French music in the 19th century. The French Folk Music Association, founded by him, makes French music get rid of the restriction of the German and Austrian system and make great efforts to carry forward the native music. Through the study of his chamber harmony language, this paper probes into its technical and stylistic features, and attempts to trace the influence of Frank on the harmony language of the post-impressionist composers. In this paper, Frank's late chamber music works as the research scope, its harmony language as the research content, the full text is divided into three chapters. The first chapter studies the basic materials of Frank Harmony language, namely, the application of modulation and chord. From the aspects of the modal basis of stylized melody, nine chords, full scale color chords and other seven chords, the characteristics of the techniques of using harmonic materials are summarized. The second chapter studies Frank's skill in dealing with chords, that is, the form of tonality statement. In this paper, we analyze and study the processing methods of the relationship between chord materials from the aspects of changing lattice, three degrees of relation, harmony of mode style, alternation of multiple tone relations and the characteristics of application of auxiliary chords, and so on, in order to explore the means of dealing with the relationship between chord materials. Summarize the technical characteristics of its use of harmony. In the third chapter, the author studies the skill of changing tone, that is, the handling technique of tonality conversion. This paper focuses on Frank's technical characteristics of tonality conversion by using the addition of three chords and the reduction of seven chords as isochord transpose, as well as by using other relatively novel techniques. By analyzing and analyzing the harmony of Frank's chamber music works from micro to macro, we can conclude that although Frank's harmony language is still based on the traditional scale system, But Frank, the founder of the French Folk Music Association, strongly advocates the idea of developing his own national music, which will be clearly reflected in his own creation. On the one hand, he has enriched his works by adopting a tone-like vocabulary to enrich his works, and on the other hand, he has created a new way to expand the harmony techniques of the traditional major minor system and to incorporate individualized handling techniques. The semitone harmony technique is taken as the main means, which makes the traditional monotonicity fully expand. He combines tradition with innovation to form creative characteristics with his own personality. These techniques have a profound influence on the development of French folk music as well as on the creation of later impressionist composers.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J614

【相似文献】