库塔克的音乐创作及其观念
发布时间：2018-08-14 13:42
【摘要】：本文对二十世纪匈牙利著名作曲家库塔克的音乐创作及其观念进行了研究。具体内容分为上篇、中篇和下篇三个部分。 上篇对库塔克的音乐创作观念进行了阐述,涉及匈牙利的传统文化,西方先锋派音乐,西方传统音乐及其它文化现象。在二十世纪音乐众多风格流派并存、发展、交织、冲突和发源的格局下,库塔克表现了一种面对现代意识与传统观念的理智和成熟,一种海纳百川的胸襟,他广博于文学、语言学、心理学等知识领域,他的创作观念汇聚和浓缩了各种音乐和多元文化的内涵。 在中篇里,本文从承载库塔克音乐思想总体的创作技术及其具体细节入手,对他不同时期的主要作品进行了详细的分析。库塔克第一阶段的音乐创作具有转型与重构的特征。第二阶段反映了他的音乐创作对声乐形式的倾向性。库塔克对文学投入了极大的热情,他将音乐与歌词文本融合为一种简洁的、充满表现力和具有个性的语言。库塔克第三阶段的音乐创作呈现出多元的格局,他逐渐走出了面对大型乐队的困惑,并将简洁与表现力运用于大型器乐作品的创作。这一时期也生产了一些他重要的声乐作品。 本文在下篇对库塔克音乐创作的主要特征进行了归纳。涉及他的“微观世界”,对音乐与文学的关系处理,节奏之形与人智论韵律运动学说的应用等。本文作者还从库塔克的编号和无编号作品出发,提出了一些值得思考的问题。
[Abstract]:This paper studies the musical creation and concept of the famous Hungarian composer Kutark in the 20 ~ (th) century. The specific content is divided into three parts: the first part, the middle part and the second part. In the first part, the author expounds Kutuk's conception of music creation, including Hungarian traditional culture, western avant-garde music, western traditional music and other cultural phenomena. Under the pattern of coexistence, development, interweaving, conflict and origin of many styles of music in the 20th century, Kutuk showed a sense and maturity in the face of modern consciousness and traditional concepts, a mind that contains all kinds of rivers in the sea, and he is extensive in literature. In the fields of linguistics, psychology and other fields of knowledge, his creative ideas converge and condense various musical and multicultural connotations. In the second part, the author analyzes his main works in different periods from the point of view of the overall creative techniques and the specific details of his musical thoughts. The first stage of Kutuk's music creation is characterized by transformation and reconstruction. The second stage reflects the tendency of his music creation to vocal music form. Kutuk devoted great enthusiasm to literature, combining music and lyrics into a concise, expressive and individualized language. In the third stage of Kutuk's music creation, he gradually emerged from the confusion of the large band and applied simplicity and expressiveness to the creation of large-scale instrumental music works. This period also produced some of his important vocal works. This paper summarizes the main features of Kutuk's music creation in the second part. It involves his "microcosm", the relationship between music and literature, the application of rhythmic form and theory of rhythmic movement. The author also puts forward some questions worth pondering from the numbering and unnumbered works of Kutuk.
【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2004
【分类号】：J605
本文编号：2183036
[Abstract]:This paper studies the musical creation and concept of the famous Hungarian composer Kutark in the 20 ~ (th) century. The specific content is divided into three parts: the first part, the middle part and the second part. In the first part, the author expounds Kutuk's conception of music creation, including Hungarian traditional culture, western avant-garde music, western traditional music and other cultural phenomena. Under the pattern of coexistence, development, interweaving, conflict and origin of many styles of music in the 20th century, Kutuk showed a sense and maturity in the face of modern consciousness and traditional concepts, a mind that contains all kinds of rivers in the sea, and he is extensive in literature. In the fields of linguistics, psychology and other fields of knowledge, his creative ideas converge and condense various musical and multicultural connotations. In the second part, the author analyzes his main works in different periods from the point of view of the overall creative techniques and the specific details of his musical thoughts. The first stage of Kutuk's music creation is characterized by transformation and reconstruction. The second stage reflects the tendency of his music creation to vocal music form. Kutuk devoted great enthusiasm to literature, combining music and lyrics into a concise, expressive and individualized language. In the third stage of Kutuk's music creation, he gradually emerged from the confusion of the large band and applied simplicity and expressiveness to the creation of large-scale instrumental music works. This period also produced some of his important vocal works. This paper summarizes the main features of Kutuk's music creation in the second part. It involves his "microcosm", the relationship between music and literature, the application of rhythmic form and theory of rhythmic movement. The author also puts forward some questions worth pondering from the numbering and unnumbered works of Kutuk.
【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2004
【分类号】：J605
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，本文编号：2183036
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