教坊曲《文溆子》考
发布时间：2018-08-15 15:34
【摘要】：《文溆子》从其被创作开始便与他的作者文溆和尚一样颇为坎坷,只流传下一句"念四声观世音菩萨",与其在当时的影响力大相径庭,而其作为教坊曲的身份也一直未能张目。这不仅与文溆和尚在宪、穆、敬、文、武朝的俗讲活动息息相关,同时也是唐代佛教俗讲艺术发展跌宕起伏状态下的一个特殊产物。借助传世文献中相关记录,我们可以对《文溆子》的曲调、本事、生成、传播、流变进行考证。
[Abstract]:From the beginning of its creation, Xuti is as bumpy as his author, monk Wen. The next sentence, "recite Quan Yin Bodhisattva", is quite different from its influence at that time, and its status as a teacher's song has never been able to open its eyes. This is not only closely related to the activities of Buddhist monks in the constitutionalism, Mu, Jing, Wen and Wu dynasties, but also a special product of the development of Buddhist folklore art in the Tang Dynasty. With the help of the relevant records in the literature, we can make textual research on the tune, ability, generation, propagation and evolution of Wenxuzi.
【作者单位】： 浙江大学;
【分类号】：J609.2
，
本文编号：2184643
[Abstract]:From the beginning of its creation, Xuti is as bumpy as his author, monk Wen. The next sentence, "recite Quan Yin Bodhisattva", is quite different from its influence at that time, and its status as a teacher's song has never been able to open its eyes. This is not only closely related to the activities of Buddhist monks in the constitutionalism, Mu, Jing, Wen and Wu dynasties, but also a special product of the development of Buddhist folklore art in the Tang Dynasty. With the help of the relevant records in the literature, we can make textual research on the tune, ability, generation, propagation and evolution of Wenxuzi.
【作者单位】： 浙江大学;
【分类号】：J609.2
，
本文编号：2184643
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