现代性背景下的都市新声—贺绿汀早期音乐研究
[Abstract]:Since the Opium War, the infiltration of western culture and economy has stimulated Chinese traditional culture, and the music of the 20th century has undergone drastic changes under the background of the great turbulence of the times. He Lvting is a famous composer, theorist, educator and activist in the 20th century. He devoted his life to music creation and education, and made great contributions to the music culture in modern China. His works are rich in subject matter, diverse in style and rigorous in language. Many works take "nationality" as the guiding ideology and combine with the western composing skills to truly penetrate the ancient and modern times and blend the spiritual connotation of the East and the West. He Lvting's works were based on the turbulent background of the time, combined with the early Chinese aesthetic thought, which truly and profoundly restored the social life of that time, and deeply reflected the people's inner thoughts, and had a simple national style. There is also a distinct flavor of the times, so that his works go back to ancient times. He Lvting is not only an excellent composer, but also a theorist and educator. Guided by the "modernity" music theory, he opened a new way for the development of Chinese music, and formed a set of unique music theory of Chinese national system, which was inherited and developed by later generations. Based on the literature collected by myself, this paper analyzes the music works of He Lvting in the early 20th century, and discusses the cultural background and the origin of his early music works from Shanghai, a metropolis with a hundred rivers in the sea. Thus, the author further studies the modern aesthetic and traditional creative concepts in He Lvting music works, and the influence of music works on the Chinese music world. It is hoped that through the analysis of He Lvting's early music works, people will understand the development of music in China in the 20th century, and it will provide some reference and reference to the contemporary music culture of China and the practice and creation activities of Chinese contemporary music culture and future generations.
【学位授予单位】:上海师范大学
【学位级别】:硕士
【学位授予年份】:2011
【分类号】:J609.2
【参考文献】
相关期刊论文 前10条
1 汪方华;《十字街头》——中国电影的浪漫现实主义传统[J];当代电影;2005年02期
2 袁成亮;;歌曲《游击队歌》诞生始末[J];党史博采(纪实);2008年07期
3 孙国林;刘冬梅;;毛泽东与贺绿汀[J];党史文汇;2006年07期
4 戴毅杰;;试论贺绿汀《牧童短笛》[J];大众文艺(理论);2009年19期
5 陈浩望;贺绿汀记忆里的聂耳和周璇[J];湖南档案;2001年03期
6 张旭良;试论贺绿汀的钢琴曲[J];钢琴艺术;1997年03期
7 李世军;;试论贺绿汀中西融合音乐思想[J];淮南师范学院学报;2006年02期
8 钱彤;贺绿汀与20世纪早期的中国流行音乐[J];黄钟(中国.武汉音乐学院学报);2004年04期
9 马学强;近代上海成长中的“江南因素”[J];史林;2003年03期
10 沈洽;二十世纪国乐思想的“U”字之路[J];音乐研究;1994年02期
相关硕士学位论文 前7条
1 杨靖;贺绿汀钢琴作品研究[D];河南大学;2007年
2 梁鹤;贺绿汀钢琴音乐创作的历史贡献[D];东北师范大学;2007年
3 杨乐平;贺绿汀及其抗战救亡歌曲研究[D];福建师范大学;2007年
4 卢昱含;贺绿汀钢琴作品的艺术特征[D];东北师范大学;2008年
5 李莉;贺绿汀音乐作品研究[D];东北师范大学;2008年
6 石雪梅;贺绿汀音乐创作及音乐教育思想研究[D];湖南师范大学;2008年
7 李健;贺绿汀的民族化音乐实践与音乐思想研究[D];山东大学;2008年
,本文编号:2185054
本文链接:https://www.wllwen.com/wenyilunwen/musictheory/2185054.html