20世纪帕萨卡里亚研究
发布时间：2018-08-26 18:15
【摘要】：帕萨卡里亚,是一种巴罗克时期起源于西班牙的舞曲,一般为三拍子,小调式:8小节的固定低音主题依据复调变奏技术被不断重复衍展,其多声织体通过节奏、力度、音色、音区等各项参数的变化,以及对位、和声、配器等手段的处理安排,获得丰富的动力和发展。巴罗克后期,这一滥觞于17世纪初,在西、意、法、德等国广泛流行100余年的固定低音复调变奏形式由巴赫等人发展至高峰。本文第一章对这种形式形成发展过程的回顾、陈述和思考,无疑为进行20世纪帕萨卡里亚研究提供了一个历史的坐标。 20世纪初,在功能和声体系逐渐瓦解、复调音乐以新的形式复兴的趋势中,帕萨卡里亚藉表现主义、新古典主义音乐流派的推波助澜而得以再生,并以其独立的结构性、横向的高度衍展性、材料的集中统一性、织体的坚实性、音乐发展的连续性、以及特有的风格韵致而得到现代作曲家的青睐,几乎所有在20世纪音乐史册上享有重要地位的作曲家,如勋伯格、威伯恩、贝尔格、兴德米特、斯特拉文斯基、布里顿、拉威尔、肖斯塔科维奇、科普兰、卢托斯拉夫斯基等人,均以这种形式创作了数目不等的作品。本文第二章即从这些20世纪最具代表性的不同流派作曲家的创作中选取了9部帕萨卡里亚作为研究对象,主要从作曲技术理论的角度,对它们逐一进行了比较全面系统而概括的分析研究;在第三章,又对20世
[Abstract]:Pasacaria, a kind of dance that originated in Spain during the Baroque period, usually has a triple beat. The fixed bass theme of the small tone of 8 bars is constantly repeated according to polyphonic variation technique, and its multi-tone texture is repeated through rhythm, intensity, and timbre. The changes of various parameters, as well as the arrangement of the corresponding, harmonic, and allocator, have gained abundant power and development. In the late period of Baroque, it originated in the beginning of the 17th century. In western countries, Italy, France, Germany and other countries, the form of fixed bass polyphonic variation, which was widely popular for more than 100 years, developed from Bach and others to its peak. The first chapter of this paper reviews, states and ponders the development process of this form. Undoubtedly, it provided a historical coordinate for the study of Pasakaria in the 20th century. At the beginning of the 20th century, the system of functional harmony gradually collapsed. In the trend of polyphonic music reviving in new forms, Pasacaria was regenerated by expressionism, neoclassical music schools, and its independent structure, horizontal development, centralization and unity of materials. The solidity of texture, the continuity of music development, and the unique style and rhyme of modern composers have attracted the favor of modern composers. Almost all the composers who played an important role in the history of music in the 20th century, such as Schoenberg, Wiborn, Berg, Xingdmitt, Stravinsky, Brighton, Ravel, Shostakovich, Copland, Lutoslavski, and others, all in this form to create a different number of works. In the second chapter, 9 pieces of Pasakaria are selected from the works of the most representative composers of different schools in the 20th century, mainly from the angle of the theory of composition technology. A more systematic and general analysis of them one by one; in chapter III, a review of the 20th century.
【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2000
【分类号】：J614
本文编号：2205751
[Abstract]:Pasacaria, a kind of dance that originated in Spain during the Baroque period, usually has a triple beat. The fixed bass theme of the small tone of 8 bars is constantly repeated according to polyphonic variation technique, and its multi-tone texture is repeated through rhythm, intensity, and timbre. The changes of various parameters, as well as the arrangement of the corresponding, harmonic, and allocator, have gained abundant power and development. In the late period of Baroque, it originated in the beginning of the 17th century. In western countries, Italy, France, Germany and other countries, the form of fixed bass polyphonic variation, which was widely popular for more than 100 years, developed from Bach and others to its peak. The first chapter of this paper reviews, states and ponders the development process of this form. Undoubtedly, it provided a historical coordinate for the study of Pasakaria in the 20th century. At the beginning of the 20th century, the system of functional harmony gradually collapsed. In the trend of polyphonic music reviving in new forms, Pasacaria was regenerated by expressionism, neoclassical music schools, and its independent structure, horizontal development, centralization and unity of materials. The solidity of texture, the continuity of music development, and the unique style and rhyme of modern composers have attracted the favor of modern composers. Almost all the composers who played an important role in the history of music in the 20th century, such as Schoenberg, Wiborn, Berg, Xingdmitt, Stravinsky, Brighton, Ravel, Shostakovich, Copland, Lutoslavski, and others, all in this form to create a different number of works. In the second chapter, 9 pieces of Pasakaria are selected from the works of the most representative composers of different schools in the 20th century, mainly from the angle of the theory of composition technology. A more systematic and general analysis of them one by one; in chapter III, a review of the 20th century.
【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2000
【分类号】：J614
【引证文献】
相关期刊论文 前1条
1 王雪燕;;简论新古典主义音乐风格的流变[J];交响-西安音乐学院学报;2010年03期
相关硕士学位论文 前3条
1 康长安;施尼特凯《钢琴五重奏》创作技法研究[D];河南大学;2007年
2 李继红;从布里顿的《小提琴协奏曲》op.15看其早期音乐语言与风格[D];上海音乐学院;2007年
3 袁娜;斯特拉文斯基《七重奏》复调技法研究[D];哈尔滨师范大学;2012年
，本文编号：2205751
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