论男高音歌唱艺术发展特征及教学理论研究
发布时间：2018-08-29 11:41
【摘要】：本文梳理了16世纪末至20世纪男高音歌唱艺术的发展历程,16世纪末、17世纪初歌剧的诞生孕育了美声唱法,从而使得美声唱法男高音声部歌唱艺术逐步确立,17、18世纪,因为男高音自身的技术限制等因素导致男高音的发展受到了极大的困惑,19世纪男高音终于突破了技术难关,进入了发展的黄金时期,20世纪男高音歌唱艺术进入了新的辉煌时代。可见,这一发展历程是非常艰难的,我们可以从中探求到男高音歌唱艺术发展的特征和规律。 对西方男高音坎坷的发展历程进行梳理后,文章的第二部分主要论述了西方男高音歌唱艺术对我国声乐界的深入影响和渗入,从男高音演唱艺术的直观展示,“世界三大男高音”帕瓦罗蒂、多明戈和卡雷拉斯的相继来华演出。吉诺.贝斯的歌常理论、弗洛的轻机能训练手段、斯义桂的声乐教学方法等歌唱理论与教学方法的传授及深远影响三个方面来分别论证西方男高音歌唱艺术对我国男高音歌唱艺术的强大的影响力和促进作用。 文章最后的落脚点为中国特色男高音演唱风格的建立,这是本文研究的最终目的。作为一名声乐演唱与理论研究者,我们学习和吸收国外的科学的先进的演唱和教学经验,其目的的归根到底是为了推进本国声乐教育事业的发展,树立具有本国独特风格的音乐形象,因而,我们在吸收和借鉴之后,应该多演唱中国人自己的作品，加强中国作品的创作,编写中国特色的男高音声乐教材,并在教学中扩大中国曲目的涉猎,如此种种,才能从真正意义上建立中国特色的男高音演唱风格,这是需要我们每一个声乐演唱和教育工作者共同努力的!
[Abstract]:This article combs the development course of tenor singing art from the end of the 16th century to the 20th century. The birth of opera at the end of the 16th century and the beginning of the 17th century gave birth to the Bel Canto method, so that the tenor singing art of the Bel canto was gradually established in the 17th and 18th centuries. Because of the technical limitation of tenor itself, the development of tenor has been greatly confused. In the 19th century, tenor finally broke through the technical difficulties, entered the golden period of development and entered a new brilliant era of tenor singing art in the 20th century. It can be seen that the development of tenor singing is very difficult, from which we can explore the characteristics and laws of tenor singing art development. After combing the rough development of the western tenor, the second part of the article mainly discusses the deep influence and infiltration of the western tenor singing art to the vocal music circle of our country, which shows directly from the tenor singing art. Pavarotti, Domingo and Carreras came to perform in China. Gino. Beth's song theory, Flo's light aircraft training method, The singing theory and teaching method of Si Yigui's vocal music teaching method and their profound influence are discussed to demonstrate the powerful influence and promotion effect of the western tenor singing art on the tenor singing art of our country. The final point of the article is the establishment of tenor singing style with Chinese characteristics, which is the ultimate purpose of this paper. As a vocal music singing and theoretical researcher, we study and absorb foreign scientific advanced singing and teaching experience, the purpose of which is, in the final analysis, to promote the development of vocal music education in our country. Therefore, we should sing more Chinese works, strengthen the creation of Chinese works, and compile tenor vocal music textbooks with Chinese characteristics. And in the teaching to expand the Chinese track dabbling, so various, can establish the Chinese characteristic tenor singing style from the real significance, this is needs each vocal music singing and the educator to work together!
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J616-4
本文编号：2211090
[Abstract]:This article combs the development course of tenor singing art from the end of the 16th century to the 20th century. The birth of opera at the end of the 16th century and the beginning of the 17th century gave birth to the Bel Canto method, so that the tenor singing art of the Bel canto was gradually established in the 17th and 18th centuries. Because of the technical limitation of tenor itself, the development of tenor has been greatly confused. In the 19th century, tenor finally broke through the technical difficulties, entered the golden period of development and entered a new brilliant era of tenor singing art in the 20th century. It can be seen that the development of tenor singing is very difficult, from which we can explore the characteristics and laws of tenor singing art development. After combing the rough development of the western tenor, the second part of the article mainly discusses the deep influence and infiltration of the western tenor singing art to the vocal music circle of our country, which shows directly from the tenor singing art. Pavarotti, Domingo and Carreras came to perform in China. Gino. Beth's song theory, Flo's light aircraft training method, The singing theory and teaching method of Si Yigui's vocal music teaching method and their profound influence are discussed to demonstrate the powerful influence and promotion effect of the western tenor singing art on the tenor singing art of our country. The final point of the article is the establishment of tenor singing style with Chinese characteristics, which is the ultimate purpose of this paper. As a vocal music singing and theoretical researcher, we study and absorb foreign scientific advanced singing and teaching experience, the purpose of which is, in the final analysis, to promote the development of vocal music education in our country. Therefore, we should sing more Chinese works, strengthen the creation of Chinese works, and compile tenor vocal music textbooks with Chinese characteristics. And in the teaching to expand the Chinese track dabbling, so various, can establish the Chinese characteristic tenor singing style from the real significance, this is needs each vocal music singing and the educator to work together!
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J616-4
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，本文编号：2211090
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