舒伯特钢琴即兴曲Op.90和Op.142分析比较
发布时间:2018-09-04 07:02
【摘要】:一提到舒伯特,人们总会想起他“歌曲之王”称号,的确,舒伯特的艺术歌曲有它独特的魅力。他将艺术歌曲的潜能充分挖掘,使它成为极富表现力的完美形式,他所创作的600多首艺术歌曲为艺术歌曲宝库增添了耀眼的光辉,以至于舒曼、勃拉姆斯,沃尔夫以及理夏德施特拉斯和马勒包括瓦格纳的歌曲,都是沿着舒伯特所开创的道路继续前进。 但是舒伯特除艺术歌曲之外,还在交响曲、室内乐和钢琴等器乐领域里留下了大量的艺术精品,也进行了歌剧和宗教音乐的创造。他的钢琴作品在音乐历史中也占据着独特的地位,他创造了大量的钢琴作品,这其中包括奏鸣曲、幻想曲、特性小曲(即兴曲、音乐瞬间)、圆舞曲等,其中这些特性小曲(即兴曲、音乐瞬间)是舒伯特为钢琴所做的特殊贡献。舒伯特的即兴曲旋律抒情,结构简单,就像一副副精工雕琢的诗情素描,舒曼、肖邦及李斯特的同类作品都深受其影响,开创了浪漫主义钢琴小品的先河。 目前,对于舒伯特即兴曲研究的文章很多,都从不同的角度和不同的程度对其进行剖析,但是对于两套即兴曲进行分析比较的论文还比较少见,本文将会对两套即兴曲的历史背景,艺术特征,还有演奏要点等三个方面进行分析,试图用最简洁明了的语言对两首作品进行比较,,以期望对演奏与教学提供学习和参考。
[Abstract]:When it comes to Schubert, people always think of him as the King of songs. Indeed, Schubert's art songs have their unique charm. He exploited the full potential of art songs and made them a perfect form of expression. The 600 or so artistic songs he wrote added a dazzling glow to the treasure house of art songs, so much so that Schumann and Brahms, Wolfe, as well as Richard Strauss and Mahler, including Wagner, continued along the path Schubert had pioneered. But Schubert, in addition to art songs, also left a lot of fine works in the fields of symphony, chamber music and piano, as well as the creation of opera and religious music. His piano works also occupy a unique position in the history of music. He has created a large number of piano works, including sonatas, fancies, characteristic songs (that is, Xing qu, musical moments), waltzes, etc. These characteristics of the small (that is, Xingqu, music moment) is Schubert's special contribution to the piano. Schubert's melodies are lyrical and simple, like a pair of elaborate sketches of poetry, Schumann, Chopin and Liszt's works are deeply influenced, creating the first romantic piano sketch. At present, there are many articles on Schubert's Xingqu research, which are analyzed from different angles and different degrees. This paper will analyze the historical background, artistic characteristics and performance essentials of the two sets of Xingqu, and try to compare the two works in the most concise and clear language in order to provide learning and reference for performance and teaching.
【学位授予单位】:江西师范大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:J624.1
本文编号:2221352
[Abstract]:When it comes to Schubert, people always think of him as the King of songs. Indeed, Schubert's art songs have their unique charm. He exploited the full potential of art songs and made them a perfect form of expression. The 600 or so artistic songs he wrote added a dazzling glow to the treasure house of art songs, so much so that Schumann and Brahms, Wolfe, as well as Richard Strauss and Mahler, including Wagner, continued along the path Schubert had pioneered. But Schubert, in addition to art songs, also left a lot of fine works in the fields of symphony, chamber music and piano, as well as the creation of opera and religious music. His piano works also occupy a unique position in the history of music. He has created a large number of piano works, including sonatas, fancies, characteristic songs (that is, Xing qu, musical moments), waltzes, etc. These characteristics of the small (that is, Xingqu, music moment) is Schubert's special contribution to the piano. Schubert's melodies are lyrical and simple, like a pair of elaborate sketches of poetry, Schumann, Chopin and Liszt's works are deeply influenced, creating the first romantic piano sketch. At present, there are many articles on Schubert's Xingqu research, which are analyzed from different angles and different degrees. This paper will analyze the historical background, artistic characteristics and performance essentials of the two sets of Xingqu, and try to compare the two works in the most concise and clear language in order to provide learning and reference for performance and teaching.
【学位授予单位】:江西师范大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:J624.1
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本文编号:2221352
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