乐府史研究

发布时间：2018-09-11 15:39

【摘要】： 本文分七章，选择乐府史发展过程中的一些重要问题作了考证研究。第一章，「二十世纪乐府研究述论」，从研究概况、主要问题、基本进程等角度，对二十世纪初迄今的乐府研究状况以及乐府研究的学术史发展作了全面论述。第二章「乐府建置考」，通过对乐府的起源、汉初音乐机关的设置、汉武帝立乐府、汉哀帝罢乐府等问题的探讨，表述了早期乐府史的发展历程。第三章「黄门鼓吹考」，对黄门鼓吹及与之密切相关的东汉四品乐问题进行了深入的探讨，指出：黄门鼓吹的音乐内容是鼓吹曲，其本原功能是用於乘舆仪仗。四品乐即大予乐、雅颂乐、黄门鼓吹乐、短箫铙歌乐。这四种音乐之间不存在等级、雅俗之辨的问题，它们都属於仪式用乐。第四章「相和歌杂考」，对相和与相和歌、但歌与相和歌、相和歌在东晋南北朝时期的流传等问题作了详细的考证。第五章「东晋乐府与玄言诗」，从乐府史发展的角度，，运用音乐文学研究的方法与成果，对东晋玄言诗问题作出了新的诠释。文中指出，玄言诗主宰东晋诗坛，其原因不仅仅在於「因谈余气，流成文体」，更在於东晋一朝官方音乐的缺失和乐府活动的贫乏。第六章「横吹曲考论」，对横吹曲的传承和记录作了详尽考察，指出：汉横吹曲二十八解传世并得到记录的曲调有十八支，而不是过去人们所认识的仅有十支。第七章「汉唐郊庙乐舞考论」，对汉魏六朝隋唐五代郊庙乐舞作了通盘考订，在此基础上，从舞制、用乐之礼、乐舞的具体应用、歌辞用韵等角度探讨了中国古代郊庙乐舞的传统，以及郊庙歌辞对中国古代诗歌发展的影响等问题。
[Abstract]:This article is divided into seven chapters, selected some important issues in the development of Yuefu history to make textual research. The first chapter, "on the study of Yuefu in the 20th Century", from the perspective of general situation, main problems and basic process, makes a comprehensive discussion on the research situation of Yuefu in the early 20th century and the development of the academic history of Yuefu. The second chapter discusses the origin of Yuefu, the establishment of musical organs in early Han Dynasty, the establishment of Yuefu by Emperor Wu, and the history of Yuefu in early Han Dynasty. The third chapter "Huangmen preaching examination", carried on the thorough discussion to the Huangmen preaching and closely related to the Eastern Han Dynasty four pint music question, pointed out: the Huangmen preaching music content is the trumpeting music, its original function is uses in the traveling and the apparatus war. Four music is great music, Yazong music, Huangmen trumpeting music, short Xiao Nao music. There is no hierarchy between these four kinds of music, the problem of elegance and vulgarity, they all belong to ritual music. Chapter four, "the mixed examination of Xianghe songs", makes a detailed textual research on the spread of Xiang he Song, Xiang he Song and Xiang he Song in the period of Eastern Jin and Northern and Southern dynasties. Chapter five, "Yuefu and metaphysical Poems in the Eastern Jin Dynasty", from the perspective of the development of Yuefu history, makes a new interpretation of the problem of metaphysical poetry in the Eastern Jin Dynasty by using the methods and achievements of the study of musical literature. The paper points out that the reason why metaphysical poetry dominates the poetry of the Eastern Jin Dynasty lies not only in the lack of official music and the paucity of Yuefu activities in the Eastern Jin Dynasty, but also in the absence of official music in the first dynasty of the Eastern Jin Dynasty. The sixth chapter, "A study on the Transverse blowing Ququ", makes a detailed investigation on the inheritance and record of the Transverse Blow-music, and points out that there are eighteen tunes recorded in 28 of the Han Transverse Blower, rather than only ten known in the past. The seventh chapter "Han and Tang Jiao Temple Music and Dance", made a comprehensive examination of Han, Wei, Tang, Sui, Tang and five dynasties' music and dance. On this basis, from the dance system, using music ritual, the specific application of music and dance, From the perspective of rhyme, this paper discusses the tradition of music and dance in ancient Chinese suburban temples, and the influence of songs on the development of ancient Chinese poetry.
【学位授予单位】：扬州大学
【学位级别】：博士
【学位授予年份】：2002
【分类号】：J609.2;I206.2

【引证文献】