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论莫扎特对歌剧戏剧性的重新建构及其审美价值

发布时间:2018-10-08 12:30
【摘要】:作为杰出的歌剧大师,莫扎特不仅写下了纯美的音乐,其歌剧中的戏剧性更有创造意义。论文以莫扎特歌剧意识形成的人文背景为源流,从探讨莫扎特歌剧美学思想深处的戏剧性内涵入手,对莫扎特突出的戏剧手法作进一步分析。本文将全面阐述莫扎特对歌剧戏剧性的重新建构,同时提炼出其歌剧中所蕴含的艺术审美价值。 本文提出,莫扎特在其歌剧美学思想的基础上形成了自己独特的强烈的戏剧意识,他给予歌剧戏剧性最确实的方式就是:用音乐手段展示戏剧发展过程。在这个原则的指导下,莫扎特将交响性和戏剧性融合,加强各种音乐形式的戏剧表现力,并用音乐塑造了栩栩如生的人物形象,创造出蕴含人道主义主题和民族文化底蕴的完美、和谐的歌剧艺术,对现代歌剧的发展和流变起到了典范作用。
[Abstract]:As an outstanding opera master, Mozart wrote not only pure music, but also the drama in his opera. Based on the humanistic background of Mozart's opera consciousness, this paper discusses the dramatic connotation of Mozart's opera aesthetics, and makes a further analysis of Mozart's outstanding dramatic techniques. This paper will expound Mozart's reconstruction of opera drama and refine the aesthetic value of his opera. This paper puts forward that Mozart has formed his unique and strong sense of drama on the basis of his aesthetic thought of opera, and his most definite way of giving opera drama is to show the development of drama by means of music. Guided by this principle, Mozart combines symphony and drama, strengthens the expression of drama in various musical forms, and uses music to create vivid characters. The creation of the perfect and harmonious opera art, which contains humanitarian theme and national culture, has played an exemplary role in the development and evolution of modern opera.
【学位授予单位】:南京师范大学
【学位级别】:硕士
【学位授予年份】:2004
【分类号】:J605

【引证文献】

相关期刊论文 前1条

1 白洋;;论莫扎特的美学思想[J];时代文学(下半月);2011年08期

相关硕士学位论文 前3条

1 许扬;歌剧《费加罗的婚礼》和《塞维利亚理发师》中费加罗角色比较研究[D];河南大学;2010年

2 焦洋;浅谈莫扎特歌剧《唐·璜》中三位女性角色艺术形象的塑造[D];西安音乐学院;2013年

3 韩静;莫扎特三部歌剧中女高音咏叹调的演唱分析[D];沈阳师范大学;2013年



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