斯特拉文斯基《弥撒曲》中泛自然音技巧的分析
发布时间：2018-10-09 20:12
【摘要】：本文以斯特拉文斯基新古典主义后期的一部作品——《弥撒曲》为分析对象,针对其中的以泛自然音技巧展开讨论。第一章对作品的创作背景与《圣诗交响曲》予以简要论述；第二章为作品中的各种技法分析,其中以作品中的泛自然音技巧分析为主,以曲调、横向对位、纵向和声、对比音色的结合以及作品整体与局部的对称结构分析为辅。通过对各种参数的分析以说明泛自然音技巧的运用对曲中各种参数的影响。笔者将结论作为第三章,在结论中笔者对于泛自然音技巧的作用及在20世纪音乐中的地位作以阐述。从文中对曲调、音高、对位、音色、和弦、结构等音乐要素特征的分析中可以获悉斯特拉文斯基对传统音乐的传承与重塑,以及音乐表达与文本内涵完美结合等两个方面。
[Abstract]:In this paper, a work of Stravinsky's late Neoclassicism, Mass, is taken as the analysis object, and the pan-natural sound technique is discussed. The first chapter briefly discusses the background of the creation of the works and the Symphony of the Holy Poems. The second chapter is the analysis of various techniques in the works, in which the pan-natural sound skills are mainly analyzed, the tunes, the horizontal contrasts, the longitudinal harmonies, and so on. The combination of contrastive timbre and the analysis of the overall and local symmetrical structure of the work are complementary. Through the analysis of various parameters, the influence of pan-natural sound technique on the parameters in the song is explained. The author takes the conclusion as the third chapter. In the conclusion, the author expounds the role of pan-natural sound technique and its position in the music of the 20th century. From the analysis of musical elements, such as tune, pitch, position, timbre, chord, structure and so on, we can learn Stravinsky's inheritance and remoulding of traditional music, and the perfect combination of musical expression and text connotation.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J614
本文编号：2260628
[Abstract]:In this paper, a work of Stravinsky's late Neoclassicism, Mass, is taken as the analysis object, and the pan-natural sound technique is discussed. The first chapter briefly discusses the background of the creation of the works and the Symphony of the Holy Poems. The second chapter is the analysis of various techniques in the works, in which the pan-natural sound skills are mainly analyzed, the tunes, the horizontal contrasts, the longitudinal harmonies, and so on. The combination of contrastive timbre and the analysis of the overall and local symmetrical structure of the work are complementary. Through the analysis of various parameters, the influence of pan-natural sound technique on the parameters in the song is explained. The author takes the conclusion as the third chapter. In the conclusion, the author expounds the role of pan-natural sound technique and its position in the music of the 20th century. From the analysis of musical elements, such as tune, pitch, position, timbre, chord, structure and so on, we can learn Stravinsky's inheritance and remoulding of traditional music, and the perfect combination of musical expression and text connotation.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J614
【参考文献】
相关期刊论文 前2条
1 李小诺;拱形结构概念的界定[J];音乐研究;2004年03期
2 杨振宁;对称和物理学[J];中国音乐;1995年04期
，本文编号：2260628
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