从《度曲歌诀》透视声乐表演艺术的互通性美学原则
发布时间：2018-10-10 19:51
【摘要】：昆曲是我国历史悠久的古老剧种，发端于明朝。其唱腔幽远婉转，音乐意境深邃。在明朝“昆曲之父”魏良辅革新之后，与其它剧种发生了本质的不同，成为一种文人剧种，其艺术思想深刻，格调优雅，演唱技术完备。昆曲的唱腔与歌唱已十分接近，堪称中国古典声乐艺术的“活化石”。对中国的声乐艺术教学和艺术实践者来讲，我们应该主动吸收“昆曲”这种“母体艺术”中的养分，促进我们声乐演唱和教学水平的提高和发展。 清末民初，我国著名的昆曲大家管际安老先生经过长达数十年的昆曲艺术实践，，将昆曲的演唱总结为十句歌诀，名曰：《度曲歌诀》。 《度曲歌诀》言简意赅，深入浅出，信息涵盖量很大，具有相当的学术性和科学性。是我国传统声乐理论的经典之作。我们来对其进行解读，进而深入地分析、探讨和研究，对中国传统声乐美学思想做一个归纳性的梳理，自觉汲取我国传统声乐美学的精髓，并结合古今中外艺术美学思想和声乐理论，努力拓展其外延，形成对声乐表演艺术的宏观认识。在此基础之上，透视声乐表演艺术的互通性美学原则。这对提升声乐理论水平和促进声乐教学与艺术实践质量的提高，都有着重要的现实指导意义。 学位论文大概涵盖三方面的内容：声乐美学，声乐美学对声乐表演艺术实践的指导，声乐美学在声乐教学中的渗透。本文解决的问题及研究内容如下： 一、解读分析《度曲歌诀》的内涵。 二、对中国传统及古典声乐美学思想和理论做了一个较为系统的梳理。 三、并以上述为契机，结合古今中外和笔者本人有关声乐艺术表演与教学的理论与观点，进一步拓展其外延，得出声乐表演艺术二度创作的互通性美学原则: 1.音乐因素与语言因素相统一。 2.表现形式与表现内容相统一。 3.内质继承与品质提升相统一。 本文的研究旨在于为声乐教学双方及歌唱艺术实践者提供一册关于声乐表演艺术美学原则的“备忘录”。
[Abstract]:Kunqu Opera, which originated in the Ming Dynasty, is an ancient opera with a long history in China. Its singing tone is far and graceful, the music artistic conception is deep. After the reform of Wei Liangfu, the father of Kunqu Opera in the Ming Dynasty, it became a kind of literati drama with profound artistic thought, elegant style and complete singing technique. The singing and singing of Kunqu Opera are very close to each other, and they can be called "living fossils" of Chinese classical vocal music art. For Chinese vocal music art teaching and art practitioners, we should take the initiative to absorb the nutrients of "Kunqu Opera" and promote the improvement and development of our vocal music singing and teaching level. At the end of the Qing Dynasty and the beginning of the Republic of China, after decades of artistic practice in Kunqu Opera, Mr. Guan Jian, a famous Kunqu opera fellow, summed up the singing of Kunqu Opera as ten songs, called "the Song of Dequ". Deep and simple, the amount of information coverage is very large, with a considerable academic and scientific. It is a classic work of Chinese traditional vocal music theory. We will interpret it, and then analyze, explore and study it in depth, make an inductive combing of Chinese traditional vocal music aesthetics, and consciously absorb the essence of Chinese traditional vocal music aesthetics. Combining the aesthetic thought and vocal music theory of ancient and modern Chinese and foreign art, we try to expand its extension and form a macroscopic understanding of vocal performing art. On this basis, the perspective of vocal performance art interoperability aesthetic principles. It is of practical significance to improve the level of vocal music theory and the quality of vocal music teaching and art practice. The thesis covers three aspects: vocal music aesthetics, the guidance of vocal music aesthetics to vocal performing art practice, and the penetration of vocal music aesthetics in vocal music teaching. The problems and research contents of this paper are as follows: 1. Second, the aesthetic thoughts and theories of Chinese traditional and classical vocal music are systematically combed. 3. Taking the above as the opportunity, combining the theories and viewpoints about vocal performance and teaching in ancient and modern China and abroad, the author further extends its extension, and obtains the interworking aesthetic principle of the second creation of vocal performing art: 1. Music and language. 2. The form of expression and the content of expression are unified. 3. Endoplasmic inheritance and quality improvement are unified. The purpose of this study is to provide a memorandum on the aesthetic principles of vocal performing art for both sides of vocal music teaching and singing art practitioners.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J616
本文编号：2263034
[Abstract]:Kunqu Opera, which originated in the Ming Dynasty, is an ancient opera with a long history in China. Its singing tone is far and graceful, the music artistic conception is deep. After the reform of Wei Liangfu, the father of Kunqu Opera in the Ming Dynasty, it became a kind of literati drama with profound artistic thought, elegant style and complete singing technique. The singing and singing of Kunqu Opera are very close to each other, and they can be called "living fossils" of Chinese classical vocal music art. For Chinese vocal music art teaching and art practitioners, we should take the initiative to absorb the nutrients of "Kunqu Opera" and promote the improvement and development of our vocal music singing and teaching level. At the end of the Qing Dynasty and the beginning of the Republic of China, after decades of artistic practice in Kunqu Opera, Mr. Guan Jian, a famous Kunqu opera fellow, summed up the singing of Kunqu Opera as ten songs, called "the Song of Dequ". Deep and simple, the amount of information coverage is very large, with a considerable academic and scientific. It is a classic work of Chinese traditional vocal music theory. We will interpret it, and then analyze, explore and study it in depth, make an inductive combing of Chinese traditional vocal music aesthetics, and consciously absorb the essence of Chinese traditional vocal music aesthetics. Combining the aesthetic thought and vocal music theory of ancient and modern Chinese and foreign art, we try to expand its extension and form a macroscopic understanding of vocal performing art. On this basis, the perspective of vocal performance art interoperability aesthetic principles. It is of practical significance to improve the level of vocal music theory and the quality of vocal music teaching and art practice. The thesis covers three aspects: vocal music aesthetics, the guidance of vocal music aesthetics to vocal performing art practice, and the penetration of vocal music aesthetics in vocal music teaching. The problems and research contents of this paper are as follows: 1. Second, the aesthetic thoughts and theories of Chinese traditional and classical vocal music are systematically combed. 3. Taking the above as the opportunity, combining the theories and viewpoints about vocal performance and teaching in ancient and modern China and abroad, the author further extends its extension, and obtains the interworking aesthetic principle of the second creation of vocal performing art: 1. Music and language. 2. The form of expression and the content of expression are unified. 3. Endoplasmic inheritance and quality improvement are unified. The purpose of this study is to provide a memorandum on the aesthetic principles of vocal performing art for both sides of vocal music teaching and singing art practitioners.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J616
【引证文献】
相关期刊论文 前1条
1 李凤坤;;论声乐表演中歌词语言的艺术处理[J];音乐大观;2013年03期
本文编号：2263034
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