试析琵琶协奏曲《花木兰》（钢琴伴奏版）

发布时间：2018-10-11 20:10

【摘要】：20世纪以来,中国音乐在西方交响乐形式的影响下,产生了许多民族器乐协奏曲。作曲家进行了一些尝试,在继承传统音乐文化与保持民族乐器演奏特点的前提下,突破传统音乐形式,借鉴西方乐器的演奏技巧与演奏方式,从而大力发展民族音乐,实现了中西方音乐文化的交融。琵琶作为重要的传统乐器之一,协奏曲这种体裁占了当代琵琶创作音乐中的相当一部分,而《花木兰》在琵琶与民族管弦乐队的合作中扮演了开拓者的角色。本文以琵琶与民族管弦乐队《花木兰》的钢琴缩谱,即：琵琶与钢琴《花木兰》为研究对象。本篇论文分为三章：第一章,作曲家简介与创作背景；第二章,琵琶协奏曲《花木兰》音乐本体研究；第三章,琵琶协奏曲《花木兰》的演奏艺术。通过论述,本文力求对乐曲的写作背景、音乐本体以及该曲的演奏艺术作分析研究,希望对现当代琵琶音乐创作和演奏艺术的研究能有一定的帮助。
[Abstract]:Since the 20th century, under the influence of western symphonies, Chinese music has produced many national instrumental concertos. On the premise of inheriting the traditional music culture and keeping the characteristics of playing national musical instruments, the composer has made some attempts to break through the traditional musical forms and draw lessons from the playing skills and ways of western musical instruments, so as to develop the folk music vigorously. It realizes the blending of Chinese and western music culture. As one of the important traditional musical instruments, Concerto plays a pioneering role in the cooperation between pipa and national orchestra. This paper focuses on the piano contraction of the Pipa and Chinese Orchestra Hua Mulan, I. e., Piano and Piano. This thesis is divided into three chapters: the first chapter, the composer's introduction and background; the second chapter, the music Noumenon of Pipa Concerto < Hua Mulan >; the third chapter, the performance art of Pipa Concerto "Hua Mulan". Through the discussion, this paper tries to make an analysis and research on the background of music writing, music Noumenon and the performing art of the music, hoping to be of some help to the study of the modern and contemporary pipa music creation and performance art.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J632.33

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